Those distributors who might complain that they can’t find a date for their non-tentpole on the release calendar can just quiet down because you didn’t book anything this weekend at the Labor Day box office. True, no major studio wants to put a mid-budget pic before New Line’s It: Chapter Two which will take all the
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Lionsgate and Millennium have another meat and potatoes box office feast on their hands in the wake of Angel Has Fallen overperforming this past weekend to a $21.3M opening with Sylvester Stallone’s Rambo: Last Blood set to open between $21M-$24M on Sept. 20. Longline for Last Blood directed by Adrian Grunberg, and written by Stallone and Matthew Cirulnick is “Rambo must
Typically when it comes to raising the profile on a major studio horror film, studio’s will rest on the standard online trailer, or some sort of social media stunt. However, Warner Bros. has amassed around 35 global promotional partners for New Line’s Sept. 6 tentpole It: Chapter Two, which is arguably unprecedented for a R-rated
EXCLUSIVE: Focus Features is adding the Participant Media Todd Haynes feature Dark Waters to the late fall frame with a limited release on the Friday before Thanksgiving, Nov. 22. The pic, inspired by a true story, follows a tenacious attorney (Mark Ruffalo) who uncovers a dark secret that connects a growing number of unexplained deaths due
After announcing their U.S. and U.K. limited theatrical-streaming release plans for Martin Scorsese’s $160M mob opus The Irishman this morning, Netflix has announced the release dates for their entire awards season slate including Steven Soderbergh’s The Laundromat, the Eddie Murphy pic Dolemite Is My Name, David Michod’s The King, Wash Westmoreland’s Earthquake Bird, Noah Baumbach’s drama Marriage Story, Sergo
AMC’s Bob Lenihan Departing Theater Chain As President Of Programming – Deadline Click to Skip Ad Closing in… You will be redirected back to your article in seconds Skip to main content August 26, 2019 3:36pm EXCLUSIVE: We are hearing that that AMC’s U.S. President of Programming is leaving the company after a decade’s run.
While everyone is expecting New Line’s It: Chapter 2 to tee us off into what is expected to be a lucrative fall-holiday season with at least a $90 million-$110 million start, one shocker that hit tracking last Thursday: STX Entertainment’s Jennifer Lopez–Constance Wu stripper crime drama came on with a hot $24M-$26M projection. Typically we post projections
Disney announced at the D23 Expo on Saturday that it has set May 6, 2022 as the release date for Black Panther 2. Director Ryan Coolger, who returns to helm and write the sequel, revealed the news onstage in Anaheim alongside Marvel’s Kevin Feige. Coogler’s return was confirmed in October as details of the sequel
Brittany Runs a Marathon jumps into five New York and Los Angeles theaters this weekend ahead of a steady sprint nationwide in September. Amazon Studios picked up the title, starring Jillian Bell, following its Sundance premiere earlier this year. Fellow Sundancer Give Me Liberty from the festival’s Next section heads to select locations via Music
Universal’s Fast & Furious Presents: Hobbs & Shaw muscled into China on Friday, grossing an estimated $34.5M (RMB 245M). The figures do not include Thursday midnights and rep the 2nd best debut of 2019 for an imported movie, behind only Avengers: Endgame. Overall, this is the No. 7 best opening day ever for a foreign
UPDATED, 11:03 AM: The plane will be arriving two weeks earlier. Sony said today that Blumhouse’s Fantasy Island has moved to a February 14 release date, vacating its slated February 28 bow. The creepshow is arriving on the busy Valentine’s Day frame and now is set to face four wid wide openers: Fox’s The King’s Man, Paramount’s Sonic the Hedgehog, Universal’s The
EXCLUSIVE: The first weekend of November is a magical place for limited releases, when a slew of Oscar contenders have launched. It’s when Open Road debuted Spotlight in 2015 which went on to win Best Picture, and it’s also the release date for a number of other Academy Award nominees such as A24’s Lady Bird (2017, 5 noms),
UPDATED, 12:12 PM: Unijversal said today that its Blumhouse remake of The Invisible Man will arrive on February 28, two weeks earlier that planned. It was set to face off against Warner Bros’ Godzilla vs. Kong and now faces United Artists’ hidden-camera prank pic Bad Trip. The news comes about an hour after Sony announced that its Blumhouse horror pic Fantasy
Fox Searchlight went after whatever remaining 18-34 demo was out there this summer with the launch of its black comedy horror thriller Ready or Not yesterday. It grossed an estimated $1.9 million at 2,244 locations (including $730,0000 in Tuesday previews) for Wednesday’s No. 2 spot. ComScore shows that by Friday the number of colleges remaining
Focus Features has a secret weapon on the fall release schedule and that’s Downton Abbey on Sept. 20. While everyone is buzzing about Warner Bros.’ screaming in the start of fall with New Line’s It: Chapter Two, Downton Abbey could very well see a huge turnout of older female moviegoers. The pic’s first day of advance sales on
Universal has set a January 15, 2021 release date for 355, the ensemble spy thriller that came together during last year’s Cannes Film Festival. The pic directed and co-written by Simon Kinberg stars Jessica Chastain, Lupita Nyong’o, Penélope Cruz, Diane Kruger and Fan Bingbing. The hope is to launch a franchise based on the idea
No shocker here as Disney has moved Fox’s Joe Wright movie The Woman in the Window out of Oct. 4 to May 15, 2020. This was to be expected as the film has to undergo reshoots. Already, Disney has Fox Searchlight’s Lucy in the Sky on Oct. 4. Meanwhile, Cruella, a live-action spinoff of the classic Disney animated toon
Spider-Man: Far From Home is getting a new scene in time for the long Labor Day weekend. Today Sony announced, a new extended cut of the film will be re-released in theaters in the United States and Canada on Thursday, August 29. The revamped version features four minutes of a never-before-seen action sequence, and will
King Kong, Pretty Woman: The Musical and The Cher Show took their final bows on Broadway last week, all three bucking a late summer downward box office trend with some last-chance ticket-buyers. In general, though, Broadway box office was down about 5% from the previous week, with one fewer show on the roster and a
Soul Train, the iconic music variety series created and hosted by Don Cornelius beginning in 1971 that showcased black musicians both established and up-and-coming, could make Broadway a stop on its long-running journey. A musical based on the show, with a creative team that includes three of the leading black women working in theater today,
As pro-democracy protests continued in the streets of Hong Kong on Sunday despite threats of Beijing’s military force, the Walt Disney Company could find itself caught between the two sides, on and off-screen. Disney has continually demonstrated a forward-thinking approach when it comes to doing business in China and Asia, even propelling properties like Black
Refresh for latest…: Quentin Tarantino’s Once Upon A Time… In Hollywood is having a heyday at the international box office with $53.7M from 49 markets this session. That includes 46 new hubs where the Leonardo DiCaprio/Brad Pitt-starrer came in 30% higher than Django Unchained (current rates) to log the director’s best offshore opening ever. Added
EXCLUSIVE: With a projected $1.109B through tomorrow, Spider-Man: Far From Home will swing past Skyfall ($1.108B) to become Sony Pictures’ highest-grossing global release ever. The Sony/Marvel sequel’s split is expected to hit $376M domestic and $733M at the international box office through Sunday. The milestone comes a little over three weeks after the webslinger crossed
August warmth is a harbinger for the fall theatrical season, which is already revving into gear. Magnolia Pictures’ Cold Case Hammarskjöld continues recent non-fiction theatrical debuts that are eyeing awards season. Cold Case won the Best Director prize in the World Documentary section at Sundance in January. Sony Pictures Classics is opening doc Aquarela in
EXCLUSIVE: Universal’s Fast & Furious Presents: Hobbs & Shaw zoomed into Korea on Wednesday, scoring the biggest opening day for the franchise, and through Thursday surpassed 1M admissions. Korea is the last market to release before China welcomes the spinoff next Friday, August 23. Through Thursday, the international box office cume on H&S is $267.5M
Universal’s R-rated Good Boys nabbed $2.1M in Thursday night previews at 2,600 theaters which began at 7PM. In regards to other R-rated comedies aimed at the 18-34 set, Good Boys’ Thursday is higher than Universal’s 2018 Blockers ($1.5M) and just under the R-rated Point Grey August 2016 pic Sausage Party ($3.25M). Good Boys take is also higher than Tag‘s $1.3M last summer and 2018’s Game
New Line’s It: Chapter Two, the sequel to the biggest horror film of all time, is looking at a domestic opening similar to the 2017 pic’s $123.4 million first frame. We hear in regards to demos the pic is comping to the first title in the series, Stephen King’s $700M-grossing It, and 20th Century Fox’s Logan ($88.4M),
Disney/Pixar’s Toy Story 4 is finally crossed $1 billion putting Disney in an atmosphere that no other major studio has ever touched: Having 5 pics gross over $1 billion in a single year. It is projected that Frozen 2 and Star Wars: The Rise of Skywalker later this year will bring that count to mindboggling 7 titles — Good
Prolific Bollywood actor and producer Akshay Kumar has again staked out the Indian Independence Day holiday, blasting off today with space drama Mission Mangal. Early word is largely positive on the timely film that’s based on the true story of the Indian scientists behind the country’s first satellite to Mars (aka, the Mars Orbiter Mission
Comscore/Screen Engine’s audience movie-polling service PostTrak is celebrating its 1,000th pic polled this upcoming weekend with a summary of moviegoing stats since its inception seven years ago. And there’s a plethora of illuminating findings, specifically: Streaming isn’t crushing moviegoing with just under 35% of all cinema attendees considering themselves frequent streamers. In addition, over the