The MUBI production, Bring Them Down, starring Oscar nominee Barry Keoghan and Christopher Abbott, is hitting theaters on Feb. 7, 2025. Pic directed by Christopher Andrews, who is making his feature directing debut, follows Michael (Abbott) who is the last son of a farming family, and lives an isolated existence with his ailing, cantankerous father Ray.
BoxOffice
Sunset Blvd. had its best box office numbers yet last week, while Maybe Happy Ending showed some welcome improvement and both Elf and A Wonderful World opened to houses with 90% of seats filled. The pre-holiday news wasn’t quite so cheery for all of Broadway though, as no fewer than 26 of the 37 productions
Universal’s female Jurassic World movie if you will, the feature take of Broadway musical Wicked, is expected to pull in any every single woman to the tune of a $125M-$150M domestic opening. Add in an extra $40M-$50M from overseas. By every single woman, we mean stateside, in which pre-sales are through the roof. We’re hearing
Partners Sideshow Pictures and Janus Films open All We Imagine As Light on Friday and will follow the playbook for Drive My Car, the indie distributor’s first film that began a slow rollout about this time in 2021, collecting awards, nice grosses and finishing with an International Picture Oscar win amid a flurry of nominations.
Breaking….Disney has pulled the second Star Wars movie dated for Dec. 18, 2026 off the calendar. We hear it wasn’t certain that one pertained to the continuing adventures of Daisy Ridley’s Rey Skywalker. Going in that spot is Ice Age 6 which was announced at D23 Brazil a week ago. As Deadline first reported, Simon Kinberg is
EXCLUSIVE: Universal/DreamWorks Animation’sThe Wild Robot has crossed the three-century mark globally, with $300.5M through Friday. The Chris Sanders-directed critical darling is now at $134.4M domestic and $166.1M from the international box office. The Wild Robot is the No. 2 non-sequel studio film of 2024, behind It Ends with Us; the No. 1 non-sequel Hollywood animated title
UPDATED: Storming 63 international box office markets in its opening frame, and before domestic enters the arena this coming week, Paramount and Ridley Scott’s Gladiator II has debuted to an estimated $87M. This is within our pre-release projection, and also marks the biggest overseas start for a Ridley Scott-directed film, as well as Paramount’s best
Hello, Love, Again, the widest domestic release for a Filipino film, now holds a record for the highest opening weekend for the same with $2.4 million and a no. 8 spot. Jesse Eisenberg’s A Real Pain crossed $3 million at the box office following its expansion to more than 1,000 theaters in week 3, landing
The Substance, the Cannes Film Festival winning, Demi Moore body swap horror movie, is poised to bust to great heights at the global box office with a $70M-$75M take. That’s quite a landmark for the Working Title produced-2 hour and 21-minute running, French shot movie which has the Ghost and $2.5 billion global grossing blockbuster
SATURDAY AM: The first two weekends of November have proven to be a rich starting point for movies — so why did Hollywood avoid booking tentpoles this year? It was only two years ago that the month notched its best opening ever on Nov. 11 with Black Panther: Wakanda Forever ($181.3M). It’s the doom and
When it comes to the box office battle between Universal’s Wicked, in which Jeff Goldblum plays the Wizard, and Paramount’s Gladiator II, it will not be a survival of the fittest. Deadline’s Natalie Sitek asked him at Saturday night’s Wicked LA premiere about the Glicked effect that’s expected to take place at the box office
EXCLUSIVE: 3D exhibition tech corp RealD has appointed Shauna Kent as VP of Marketing. Kent is a RealD marketing vet who has risen through the ranks since joining the company more than 12 years ago. She will work closely with studio partners and exhibitors to guide RealD’s marketing campaigns on such upcoming films as Moana 2,
Broadway‘s hit musical revival Sunset Blvd. stayed strong last week amidst the controversy surrounding star Nicole Scherzinger’s social media post interpreted (or rather misinterpreted) by many as an endorsement of Donald Trump. The latest Broadway grosses (for the week ending November 10) indicate that Sunset Blvd. was up $134,498 over the previous week. With attendance
Alamo Drafthouse is changing up its senior leadership team, promoting two executives. Dana Pearson moves into the role of chief financial officer and VP of Product & Digital. Alex Shullman becomes Chief Product & Strategy Officer of Austin-based Alamo, which was acquired by Sony in June. The theater chain’s current CFO, Matt Vonderahe, is stepping
In a new milestone, Sony’s Venom: The Last Dance has waltzed past the four-century mark globally, now with $405.5M through Tuesday. Breaking that down, the Tom Hardy-starrer has grossed $118.5M domestically and $287M at the international box office since opening late last month. This brings the franchise total to $1.7B so far. The Marvel symbiote
Twenty-four years after Best Picture Oscar winner Gladiator reinvented the swords and sandals genre, its sequel, Gladiator II, is finally entering the arena. Paramount began overseas rollout Wednesday on the continuation of Ridley Scott’s Roman Empire action saga. Through Friday, 63 international box office markets will be open — the full offshore footprint, save for
The very expensive, but typically priced, Dwayne Johnson $200M+ Christmas package Red One began its weekend journey last night with previews totaling $3.7M. Note that figure also includes monies from a Sunday special screening. The movie has been sitting still on tracking for quite some time with a $30M-$35M projection. At that level — $30M-$35M–
Just a year ago, Disney CEO Bob Iger was in the midst of an ongoing apology tour for the studio after string of tepid box office returns. At a conference last November, he acknowledged that things had a taken a downturn and promised, as he had been doing regularly, that Disney will be stressing quality
When it came to the bombing of Borderlands, among other late summer and fall releases, Lionsgate CEO Jon Feltheimer made no bones about emphasizing culpa nostra. “On Borderlands, nearly everything that could go wrong did go wrong: it sat on the shelf for too long during the pandemic, and reshoots and rising interest rates took it outside
As we told you recently, Disney‘s Moana 2 is heading to the best five-day opening ever at the Thanksgiving box office. We gave the six-weekend projection from Quorum, and this morning tracking service NRG — which reports three-weekend-out forecasts — is saying the Hawaiian princess sequel is going to clear $135M over Wednesday-Sunday. That would
Despite the sluggishness of the fall box office with the bombing of Joker: Folie à Deux and the flat-footed start of Venom: The Last Dance, the holiday frames are coming up roses. Specifically Disney’s Moana 2 could help fuel the year along with Wicked and Mufasa: The Lion King to nearly $9 billion. This is
No studio was going to leave Easter weekend empty. In the wake of Lionsgate pushing their Michael Jackson biopic, Michael, from April 18 to Oct. 3 next year, Warner Bros. is backfilling with Bong Joon Ho’s Robert Pattinson sci-fi movie Mickey 17; that movie flying from Jan. 31, 2025 to April 18. Warners will have
Death Becomes Her, the new musical adaptation of the 1992 comedy fantasy film, worked up some Broadway magic in its second week since beginning performances at the Lunt-Fontanne, grossing an impressive $1,073,018 for seven previews and filling 98% of the venue’s seats. The musical, starring Megan Hilty, Jennifer Simard, Christopher Sieber and Michelle Williams, was by far
EXCLUSIVE: Lionsgate‘s Antoine Fuqua directed Michael Jackson biopic, Michael, is moving out of next year’s Easter frame of April 18-20 and to Oct. 3, 2025. Universal is handling the overseas release of the movie which stars the King of Pop’s nephew, Jaafar Jackson, in the title role. In addition, Lionsgate has dated the Aziz Ansari
The 45th American Film Market launches tonight in a new host city, Las Vegas, amid the tension and distraction of a hotly contested U.S. presidential election. Despite last year’s edition being beset by logistical challenges, organizer IFTA (Independent Film & Television Alliance) says office and exhibition space is sold out this go around. They hope
UPDATED: Offshore audiences continue to devour Sony’s Venom: The Last Dance with a sophomore weekend of $68.4M in 66 markets for an international box office cume of $227M so far. The running global total after two frames has clicked past the three-century mark, now at $317.1M, which is 4% ahead of Venom: Let There Be
The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year’s third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no. 6. Searchlight Pictures’
Robert Zemeckis has always been about a great technological or storytelling conceit in his movies whether it’s the live-action animated hybrid of the 3x Oscar winning Who Framed Roger Rabbit?, the insertion of Tom Hanks in famed historical footage in Oscar Best Picture Forrest Gump or the motion capture of The Polar Express. However, his
The Paramount release of Miramax’s Derek Cianfrance movie Roofman is opening on Oct. 3, 2025. We first told you about the Channing Tatum, Kirsten Dunst and Peter Dinklage movie which is based on the true story about a former Army Ranger and struggling father who turns to robbing McDonald’s restaurants by cutting holes in their roofs,
It’s suddenly been, if not an embarrassment, then for sure a nice flush of riches in the indie film space as high-profile festival and well-reviewed fare continues releasing into awards season. This week we’ve got a return guest with wide re-release of Godzilla Minus One. Emilia Perez is hitting 125 theaters, quite a few for
- 1
- 2
- 3
- …
- 100
- Next Page »