BoxOffice

It not a blockbuster MLK weekend but indies are out in force with The Brutalist continuing to surprise, The Substance adding theaters and Nosferatu, A Complete Unknown and Babygirl holding at nos. 7, 8 and 10 at the domestic box office. Robert Eggers’ vampire fest from Focus Features had a $4.3 million weekend with a
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Focus Features has set a March 28 limited release for The Ballad of Wallis Island, which is set to have its world premiere at this month’s Sundance Film Festival. Pic follows Charles (Tim Key), an eccentric lottery winner who lives alone on a remote island and dreams of getting his favorite musicians, McGwyer Mortimer (Tom
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EXCLUSIVE: Quiver Distribution has taken North American distribution rights to the romantic end-of-days thriller When I’m Ready, starring Andrew Ortenberg, June Schreiner, Thalia Besson, Lauren Cohan, and Dermot Mulroney. Quiver and Briarcliff will jointly oversee theatrical release which is set for Feb. 7, 2025 followed by a digital release on Feb. 14. Quiver will handle
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Walter Salles-directed I’m Still Here caps weeks of packed screenings after a Best Actress Golden Globe win by star Fernanda Torres with a theatrical release from Sony Pictures Classics on five screens in New York and LA. The distributor’s The Room Next Door jumps from 44 screens to over 850, the widest release of a
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EXCLUSIVE: If there’s one takeaway from the holiday box office season, audiences couldn’t quit Focus Features‘ period gothic horror movie Nosferatu. The Robert Eggers-directed title is now the Universal specialty label’s second highest-grossing release at the domestic box office at $84.4 million, overtaking 2005’s three-time Oscar winner Brokeback Mountain ($83M) and ranking behind the studio’s
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EXCLUSIVE: Sony’s President of Domestic Distribution Adrian Smith is retiring after a 35-year run at the studio. Taking over for Smith is Adam Bergerman who is being upped to President of Distribution. Smith was named to the post in January 2013. Following the retirement of longtime Worldwide Distribution President Rory Bruer in April 2017, global
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Last week, as the town was grappling with the Palisades and Eaton wildfires the Warner Bros Motion Picture Group saw the double exit of lynchpin executives, Worldwide Marketing president Josh Goldstine and International Theatrical Distribution president Andrew Cripps, a corporate maneuver that continues to jar many. To say that it’s a time of change at
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At the end of the day, it wasn’t as bad as expected. That’s the overriding sentiment among international distribution executives and other industry watchers regarding how 2024’s overseas and global box office panned out. Yes, we continue to need more consistency to foster the cinema-going habit, as well as more good movies that hit their
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The international box office for French cinema dropped by 11% in 2024, according to data released by Unifrance on Monday, but the film and TV export agency said the figures only gave part of the picture. Unifrance said French film productions racked up 33.4M admissions internationally in the first 50 weeks of 2024 for a
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The international box office for French cinema dropped by 11% in 2024, according to data released by Unifrance on Monday, but the film and TV export agency said the figures only gave part of the picture. Unifrance said French film productions racked up 33.4M admissions internationally in the first 50 weeks of 2024 for a
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It’s less than five weeks until the first big opening of 2025, that being Disney/Marvel Studios‘ Captain America: Brave New World, which hit tracking service Quorum and is expected to do $86M to $95M over the 3-day of the 4-day Valentine’s Day/Presidents Day weekend on Feb. 14. The Friday through Monday figure is also bound
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A24’s The Brutalist busted out in limited expansion this weekend with close to $1.39 million on just 68 screens, a $20.4k per screen average, excellent for a period film with a three hour and 35-minute run time about a Hungarian architect in 1950s Doylestown, Pa. It won multiple Golden Globes — for Best Picture –
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For Sean Baker, it’s theatrical or bust. Paychecks from streamers can be tantalized in front of him, but when it comes to his original work, not only is about making works for the cinema, but shooting on celluloid, too. “We shouldn’t abandon the medium which created this artform,” Baker tells us on this episode of
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Wildfires rampaging through Los Angeles means moviegoing won’t be top of mind for Angelenos. Some top indies are opening or holding over in L.A. theaters, one of the nation’s key movie markets, amid uneven fire patterns that have scorched and flattened huge areas of the city but left others untouched. “In West Hollywood, the sun
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Regal Cineworld Group has appointed Kelly Dowdy as Chief Digital and Technology Officer and Adam Snow as Chief Strategy Officer. Both execs will report to Eduardo Acuna, Chief Executive Officer for Regal Cineworld Group. Dowdy will oversee Cineworld’s IT and digital operations, the development and management of digital products and services, as well as both foundational
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