Spurned by many critics and consumers alike, Matthew Vaughn‘s pricey spy comedy Argylle bombed at the North American box office in the biggest miss to date for Apple’s theatrical ambitions. The movie opened to an estimated $18 million from 3,605 cinemas against a price tag of $200 million to $250 million, according to sources. The
Box Office
A film about the impact of divine intervention on a failing relationship has become the first Filipino title to surpass $16M at the global box office. Rewind crossed the the 900M Philippine pesos worldwide gross mark this week, a huge return for the local box office. The local record was previously held by Hello, Love,
This weekend marked the second straight that featured no major wide releases. It’s pretty typical for January to be a slow month, but the lack of audiences showing up to see the available options doesn’t bode well as the movie industry tries to regain momentum after the Hollywood strikes wreaked havoc on the movie schedule.
EXCLUSIVE: India’s box office revenue reached a record $1.47B (Rs122.3B) in 2023, a 15% increase over the previous year, according to a report from Mumbai-based Ormax Media. But growth was partly due to rising ticket prices as admissions have still not recovered to the same level as 2019. In comparison, India had total box office
Oh, January: it’s hard to be disappointed because expectations are perpetually oh so very low. While history has shown that this month is capable of producing box office surprises, we didn’t see any trace of that happening in the last three days. In my column last week, I noted that there was a lack of
EXCLUSIVE: Finnish director Aki Kaurismäki has achieved his best global box office in a decade with Cannes Jury Prize winner Fallen Leaves which has racked up a total gross of $12.4M, according to figures released by its producers. This is the director’s second highest box office result behind 2011 drama Le Havre. The Helsinki-set love story, about
Cinema export agency Unifrance’s annual international box office report for 2023 revealed on Tuesday that Russia was the top market in terms of admissions for French cinema last year. Given that Russia’s relations with Europe are at their lowest ebb since the end of the Cold War in 1991 as its ongoing war on Ukraine
I’m trying to stay optimistic. It takes some effort, as just about everyone seems to think the film business is a mess–strike-thinned schedule, cultural chaos, streaming models in flux. But, hey, the Golden Globes audience was up by half, never mind critical reaction to the show. There are still signs of life out there. So
In early January, it can feel natural to view everything as a portent of what’s to come in the next 12 months… but that’s thankfully not the case with the box office. Annually, this is a time for the industry when blockbuster holdovers from the previous year do battle with low potential studio releases that
B. Riley analyst Eric Wold, who has stayed generally bullish on the movie theater business despite its recent trials, is now warning investors that the arrival of a “down box office year” has made him “increasingly cautious.” In a note to clients about his 2024 outlook, Wold wrote that he expects the stock performance of
Gower Street Analytics has come up with an early estimate for 2024 global box office, projecting a roughly 5% downturn versus 2023 to $31.5B (Gower currently is pegging 2023 at $33.4B). This marks the first post-pandemic decrease in the London-based firm’s annual forecast. Should the figure hold, it would put the year -20% against the
Deadpool 3, Beetlejuice 2 and Ghostbusters: Frozen Empire top Fandango‘s list of most-anticipated wide-release movies in 2024. (See the full top 10 and other charts below.) The NBCUniversal-owned digital movie brand surveyed 8,000 ticket buyers about the titles they’re most looking forward to, and also gauged their mood heading into next year. About 81% of
For the second week in a row, the major Hollywood studios opted not to put out any new releases – and it’s been grasped as a box office opportunity for alternative releases. To start December, Beyonce’s Renaissance: A Film By Beyoncé took the #1 spot in the Top 10, riding the concert movie wave started
Taylor Swift: ‘The Eras Tour concert film has become the highest-grossing concert film of all time, earning an impressive $178 million domestically since its debut on Thursday, October 12. Among the list of the top-grossing concert films at the domestic box office are the recently rereleased Renaissance: A Film by Beyoncé, Talking Heads concert film
Six months in, the strikes are over. Ten days out, the holidays begin. As for the movies—unfortunately, the most exciting part of the year is already behind us. It’s disconcerting to realize that there is no unavoidably dazzling, must-see, pop cultural event film on the schedule for the rest of 2023. Certainly, some fine pictures,
AMC Entertainment swung to a profit last quarter and saw revenue jump 45%, besting Wall Street forecasts. CEO Adam Aron found the numbers “quite satisfying.” But, he said, the short-term impacts of the writer’s and actor’s strikes will cause additional and needless challenges for AMC in 2024. Without taking sides as to who is to
Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results. During a conference call with Wall Street analysts to discuss third-quarter results, the major exhibitor boss said Cinemark’s conversations with the two tech firms indicate they
Last weekend’s box office results could be described as dismal. The biggest new title was Scott Waugh’s Expend4bles, which received a beatdown from critics in the hours before showtimes, and the final results not only saw said action film flop and finish in second place, but no title managed to make over $10 million. The
EXCLUSIVE: The UK box office is booming thanks to Barbenheimer. According to seven-day figures from Comscore, this past week is the highest ever recorded at the UK and Ireland box office, with £66,373,575 clocked from all movies between July 21-27. The feat has been fueled by the Barbenheimer phenomenon, which has seen Greta Gerwig’s Barbie
Mattel CEO Ynon Kreiz said last weekend’s blockbuster release of Barbie – the toymaker’s first-ever major theatrical film – is a moment that “will be remembered as a key milestone in our company’s history.” His comments came amid second-quarter numbers in line with Wall Street forecasts. “The Barbie movie is a showcase for the cultural
We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big — but not this big. Paramount’s Tom Cruise sequel Mission: Impossible – Dead Reckoning Part One learned that the hard way (65% Weekend 2 decline with $19.3M) by going one weekend before the dual tidal wave, trying to avoid the wake of
What was it W. B. Yeats wrote, that line Joan Didion lifted and twisted in her essay “Slouching Towards Bethlehem,” about West Coast chaos in 1967? Things fall apart; the center cannot hold. That’s how it felt on Thursday, a few minutes before lunch with some seasoned film executive-friends at the Academy Museum (Salad Niçoise
Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
Comedy is back; Super Mario Bros has proved that laughs are good for a half billion dollars. The antihero business is intact. Both Guardians of the Galaxy Vol 3 and John Wick: Chapter 4 hit their marks. But affairs of the heart are still suffering at the movie box office. Love Again is the latest
Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
Watching Jesus Revolution surge past $45 million in ticket sales for Lionsgate—matching or besting The Fabelmans, The Banshees Of Inisherin, Tár, Women Talking and Triangle Of Sadness, combined—it finally seems safe to say it. The faith-based audience is back. Between Covid and the culture wars, it’s been a rough few years for those who make,
Imax said today it expects to return to its pre-pandemic gross box office level of $1.1 billion in 2023, as it reported revenue of $98 million for last year’s fourth quarter, down 10% from the year before. That dip, in-line with Wall Street forecasts, comes despite blockbuster Avatar: The Way of Water and was due largely to
Three films opening this weekend highlight women’s rights, class and racism — nothing ripped from today’s headlines exactly, but features with a distinctive moment and point of view that appear particularly relevant today. Call Jane, Holy Spider and Armageddon Time join Tár, Till, The Banshees of Inisherin and others already in theaters as it gets
Searchlight Pictures’ The Banshees Of Inisherin opened to an estimated $181,000 and a raring per screen average of $45,250, beating Tár’s impressive $40,000. Both opened in four locations and now rank no. 2 and no. 3 for an indie per-theater gross this year after A24’s Everything Everywhere All At Once. That film’s in a class
The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4. If standing ovations say anything, the comedy-drama had a