Animation

Nick Park, the guest on this episode of The Hollywood Reporter’s Awards Chatter podcast, is a legendary animator and filmmaker who has, for the last 40 years, been the star employee of Aardman Animations, a company based in Bristol, England, that specializes in stop-motion and clay animation. Both Park and Aardman are best known for
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So, surprise, surprise, but Minions are the lords of Independence Day. Illumination/Universal’s Despicable Me 4 is looking at $28 million Wednesday, sans Tuesday previews (they weren’t held), which is high enough to get the movie to an estimated $120 million over its first five days through Sunday. That’s where tracking was spotting it, and it’s
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Universal Pictures will release DreamWorks Animation‘s Gabby’s Dollhouse: The Movie on September 26, 2025, the studio said Thursday. Universal already had the release date on hold for an untitled DWA movie. Late September is a prime time to launch family friendly animated pics, going back to Open Season and Cloudy With a Chance of Meatballs,
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South Korean animation house Mofac Animation is working on a new feature inspired by both Charles Dickens and the life of Jesus Christ. Director Seong-ho “Jay” Jang’s faith-based feature The King of Kings is currently in the final stages of production and seeking distribution and is inspired by a posthumously published Dickens story. The film’s
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Studio Ghibli‘s animated adventure movie The Boy and the Heron is continuing to blaze a trail for anime, in Europe, Asia and North America. Following its Golden Globes win last week, the first ever for a non-English animated feature, the movie has crossed multiple box office milestones in Europe. Pic has grossed £3.9M at the UK
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After one Japanese title delivered at the sleepy December box office last weekend, that being Godzilla Minus One, here’s another that’s set to dominate: Studio Ghibli and GKIDS’ Hayao Miyazaki‘s The Boy and the Heron which is looking at a No. 1 lead with $10M+ after $2.39M Thursday and early access previews. The comp here
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Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
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Days before Spin Master/Paramount/Nickelodeon’s PAW Patrol: The Mighty Movie opens with a shot at No. 1 and $20M, a third theatrical movie has been announced for 2026. The long-running preschool franchise, which is celebrating its tenth anniversary, saw its first theatrical release under Paramount (and Elevation Pictures in Canada) open during the pandemic, day and
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It’s a Dora like you’ve never seen her before — in complete CGI animation. Nickelodeon is relaunching the famed Latina explorer in new animated theatrical short, Dora and the Fantastical Creatures, exclusively in theaters on Friday, Sept. 29 preceding the Spin Master Entertainment/Nickelodeon Movies/Paramount picture, PAW Patrol: The Mighty Movie. The new CGI animated preschool
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After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
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FRIDAY AFTERNOON: Illumination is looking at another record 3-day as the Universal/Nintendo co-production Super Mario Bros Movie is on its way to a $72M Friday-Sunday, the best second weekend for the animation studio. That’s a 51% ease at 4,371 theaters after a $20M second Friday, -64%. Running total by end of Sunday will be $332.8M.
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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EXCLUSIVE: Illumination/Universal/Nintendo’s The Super Mario Bros Movie just landed on tracking this morning ahead of its Easter weekend release, and the animated film is shaping up to make at least $85M-$90M+ over its Wednesday through Sunday launch — and that’s on the conservative side. Given the fervent response by fans to trailers, it would not
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Aniplex and Crunchyroll of America’s Demon Slayer: Kimetsu no Yaiba – To the Swordsmith Village grossed $10.1 million this weekend in 1,780 theaters. That’s a fourth place finish at the domestic box office but still half the opening of Demon Slayer:  Kimetsu No Yaiba – The Movie: Mugen Train which opened to a smash $21
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Universal/Illumination’s Minions: The Rise of Gru has grabbed the best previews for an animated movie during the pandemic with $10.75M. That’s purely from showtimes that started yesterday at 2PM from 3,350 theaters. This, no doubt, bodes for another excellent weekend at the summer box office. That beats the $6.25M combined two day previews of Paramount’s Sonic
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UPDATED with TIFF exit: Clifford the Big Red Dog, Paramount’s CG/live-action movie that was unset from its planned September 17 release, will also not world premiere at next month’s Toronto Film Festival. It had been set as a Gala Presentation via the pic’s Canadian rightsholder eOne, which confirmed the news today that it was removing
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Paramount Pictures has curbed the planned September 17 release of Clifford the Big Red Dog, its CGI/live-action take on the beloved kidlit character. We hear that the studio is looking for a more family-friendly release date for the pic, which also had been announced as a Gala Presentation at the Toronto Film Festival in September. The title’s
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EXCLUSIVE: In a recent Samba TV measurement, 783K U.S. households tuned into Universal’s The Boss Baby: Family Business on the studio’s streaming service Peacock over the four-day July 4th holiday weekend. That number for the DreamWorks Animation title beats the four-day Memorial Day debut of Disney’s live-action pic Cruella on Disney+ Premier, which clocked 686K U.S. households that
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UPDATED: Netflix said Wednesday that My Little Pony: A New Generation will debut on the streamer on September 24, 2021, the same date it had been planned to premiere when the eOne animated pic was set up at Paramount. Netflix acquired global rights in February when the pandemic was wrecking havoc with movie theaters. The
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As the motion picture industry looks to get back on track at the box office, and avoid being the laughing stock of streamers, the latest question begged is: What was Sony thinking when they decided to move Hotel Transylvania: Transformania onto the Oct. 1-3 opening weekend of MGM’s Addams Family 2? Both Halloween-centric animated movies
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EXCLUSIVE: Netflix has licensed all global rights, sans China, to Sony Pictures Animation’s Vivo. The movie, directed by Oscar nominee Kirk DeMicco (The Croods) and co-directed by Brandon Jeffords (Cloudy With a Chance of Meatballs 2) with new songs written and performed by Tony award winning Hamilton creator Lin-Manuel Miranda, was recently scheduled for a theatrical
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2ND UPDATE, 12:12 PM: The bunny trail is busy again. Sony said today that its Peter Rabbit 2: The Runaway is moving up two weeks from Fourth of July weekend to June 18. The move comes just hours after after Paramount announced that its Top Gun: Maverick exited its July 2 slot and Blumhouse’s The Forever Purge is taking that
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Refresh for latest…: DreamWorks Animation/Universal’s The Croods: A New Age led the weekend in China with a $19.2M debut, outpacing local titles One Second and Caught In Time. This is the third best bow for a studio movie in the Middle Kingdom during the pandemic era (behind Tenet and Mulan). In total, the Croods sequel
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