The End of Oak Street Review: Welcome to Jurassic Suburbs
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The End of Oak Street Review: Welcome to Jurassic Suburbs

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For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. A member of the New York Film Critics Circle, he’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire. 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The new suburban dino horror film is an absolute blast.n

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Jurassic World: Fallen Kingdom ended with one hell of a cliffhanger. Dinosaurs escapefrom a laband reach the human world.In the film’s final shot, a raptor stands on a cliff overlooking a dusty neighborhood,teasing a sequel with full-blown suburban dino mayhem. How could you not want to seethat movie? I sure did.

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Then, for whatever reason, the next Jurassic Worldignoredits own slam-dunk premise. Instead of dinosaurs rampaging through the human world (or doing much of anything), it had a bunch Jurassicalumniracing around theplanet to stop mutant locusts. It was enough to make you pray for a second dinosaur extinction.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Then, for whatever reason, the next Jurassic Worldignoredits own slam-dunk premise. Instead of dinosaurs rampaging through the human world (or doing much of anything), it had a bunch Jurassicalumniracing around theplanet to stop mutant locusts. It was enough to make you pray for a second dinosaur extinction.”}}}},”currentTextLength”:339,”runningCounter”:2,”cumulativePodTextLength”:690,”totalSimilarConsecutiveElements”:3,”totalTextLength”:1322},{“type”:”singlePostInArticleAd”,”data”:{}},{“type”:”singlePostText”,”data”:{“text”:”

There’s a lot to like aboutThe End of Oak Street, but one of its biggest selling points is it finally gives uswhat thatFallen Kingdom’s endingpromised: Balls-to-the-wall T-rex action in suburbia. That might be selling the movie short, though. None of the actualJurassic Park sequels dating back to the 1990s are anywhere near as good asThe End of Oak Street, which is thrilling, scary, darkly hilarious, and built around a very convincing portrait of a fraying familyfighting to survive a scenario that puts a whole new spin on the phrase “domestic disturbance.”

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READ MORE: What’s the WorstJurassic ParkSequel?

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”READ MORE: What’s the WorstJurassic ParkSequel?“}}}},”currentTextLength”:66,”runningCounter”:1,”cumulativePodTextLength”:66,”totalSimilarConsecutiveElements”:4,”totalTextLength”:1684},{“type”:”singlePostText”,”data”:{“text”:”

That familyat its center includes upbeat but slightly hapless dad Greg (Ewan McGregor), frustrated mom Denise (Anne Hathaway), brainy daughter Audrey (Maisy Stella), and dweeby son Brian (Christian Convery). Rather rush into the chomping and fleeing, writer/director David Robert Mitchell spends a good chunk of time simply observing this family; the growing friction between Greg and Denise about their distant relationship, Brian’s crush on a new neighbor and his fear of a local bully.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”That familyat its center includes upbeat but slightly hapless dad Greg (Ewan McGregor), frustrated mom Denise (Anne Hathaway), brainy daughter Audrey (Maisy Stella), and dweeby son Brian (Christian Convery). Rather rush into the chomping and fleeing, writer/director David Robert Mitchell spends a good chunk of time simply observing this family; the growing friction between Greg and Denise about their distant relationship, Brian’s crush on a new neighbor and his fear of a local bully.”}}}},”currentTextLength”:501,”runningCounter”:2,”cumulativePodTextLength”:567,”totalSimilarConsecutiveElements”:4,”totalTextLength”:1684},{“type”:”singlePostGoogleAd”,”data”:{“adUnit”:”hindsight-300×250″,”adCount”:1}},{“type”:”singlePostText”,”data”:{“text”:”

Mitchell’s patient approach pays off once the family finds their entire street and all of its homes and residents inexplicably deposited into the middle of a land before time, complete with all sorts offerocious ancient beasts. Fleshing out the characters’ backstories and relationships helps the audience invest in the familyonce people’s flesh starts getting torn from their bones by carnivorous creatures.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Mitchell’s patient approach pays off once the family finds their entire street and all of its homes and residents inexplicably deposited into the middle of a land before time, complete with all sorts offerocious ancient beasts. Fleshing out the characters’ backstories and relationships helps the audience invest in the familyonce people’s flesh starts getting torn from their bones by carnivorous creatures.”}}}},”currentTextLength”:441,”runningCounter”:3,”cumulativePodTextLength”:1008,”totalSimilarConsecutiveElements”:4,”totalTextLength”:1684},{“type”:”singlePostText”,”data”:{“text”:”

And make no mistake: Mitchell, who previously established his cred as one of the foremost purveyors of suburban horror with his 2014 filmIt Follows, doesn’t pull his punches when it comes to the dinosaurs.They are terrifying and vicious; this has to be one of the most intense PG-13 movies of the last few years. But he also gives thedinosaursspace to breathe as well; observingthem in much the same way he considers the human characters in the first act, Mitchell finds richmoments ofhumor in their more mundane activities. (Just wait until you see the very large first indication that all is not what it seems on Oak Street.)

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”And make no mistake: Mitchell, who previously established his cred as one of the foremost purveyors of suburban horror with his 2014 filmIt Follows, doesn’t pull his punches when it comes to the dinosaurs.They are terrifying and vicious; this has to be one of the most intense PG-13 movies of the last few years. But he also gives thedinosaursspace to breathe as well; observingthem in much the same way he considers the human characters in the first act, Mitchell finds richmoments ofhumor in their more mundane activities. (Just wait until you see the very large first indication that all is not what it seems on Oak Street.)”}}}},”currentTextLength”:676,”runningCounter”:4,”cumulativePodTextLength”:1684,”totalSimilarConsecutiveElements”:4,”totalTextLength”:1684},{“type”:”singlePostImage”,”data”:{“id”:547029,”caption”:”Warner Bros.”,”align”:”none”,”title”:”The End of Oak Street”,”captionclean”:”Warner Bros.”,”width”:1622,”height”:1080,”url”:”https://townsquare.media/site/442/files/2026/08/attachment-rev-1-nbr-fp-0046_high_res_jpeg.jpeg”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostText”,”data”:{“text”:”

Mitchell also deploys some nifty camera moves and tricks, including a surprising number of split diopter shots,which bring objects in the extreme foreground and background into focus simultaneously. It’s an attention-grabbing technique, andcould be a gimmick in some contexts. InThe End of Oak Street, it perfectly suits the material. Split diopters fusetwo disparate elements that would otherwise not fit together into a single shot —kind of like a world where dinosaurs roam through small-town America.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Mitchell also deploys some nifty camera moves and tricks, including a surprising number of split diopter shots,which bring objects in the extreme foreground and background into focus simultaneously. It’s an attention-grabbing technique, andcould be a gimmick in some contexts. InThe End of Oak Street, it perfectly suits the material. Split diopters fusetwo disparate elements that would otherwise not fit together into a single shot —kind of like a world where dinosaurs roam through small-town America.”}}}},”currentTextLength”:548,”runningCounter”:1,”cumulativePodTextLength”:548,”totalSimilarConsecutiveElements”:2,”totalTextLength”:1328},{“type”:”singlePostText”,”data”:{“text”:”

McGregor is 12 years older than Hathaway, and they never seem like the most deeply connected married couple. But that works for Mitchell’s story, in which Denise in particular is frustrated with her husband’s lack of ambition and his cheerful willingness to dash offto deliver pizzas for a little extracash in the middle of a block party. These two may not fit together all that well. And while most of The End of Oak Street’ssecond half is devoted toeffects-driven suspense sequences,Hathaway repeatedly finds small moments toaddwarmth and humanity toher role and to the film as a whole. AfterThe Devil Wears Prada 2 andThe Odyssey, it’s third very strong (and very different) role in a row.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”McGregor is 12 years older than Hathaway, and they never seem like the most deeply connected married couple. But that works for Mitchell’s story, in which Denise in particular is frustrated with her husband’s lack of ambition and his cheerful willingness to dash offto deliver pizzas for a little extracash in the middle of a block party. These two may not fit together all that well. And while most of The End of Oak Street’ssecond half is devoted toeffects-driven suspense sequences,Hathaway repeatedly finds small moments toaddwarmth and humanity toher role and to the film as a whole. AfterThe Devil Wears Prada 2 andThe Odyssey, it’s third very strong (and very different) role in a row.”}}}},”currentTextLength”:780,”runningCounter”:2,”cumulativePodTextLength”:1328,”totalSimilarConsecutiveElements”:2,”totalTextLength”:1328},{“type”:”singlePostImage”,”data”:{“id”:547030,”caption”:”Warner Bros.”,”align”:”none”,”title”:”The End of Oak Street”,”captionclean”:”Warner Bros.”,”width”:1620,”height”:1080,”url”:”https://townsquare.media/site/442/files/2026/08/attachment-rev-1-nbr-04334_high_res_jpeg.jpeg”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostText”,”data”:{“text”:”

Many critics have already compared The End of Oak Streetto avintage Amblin production: The ’80s fashions, the emphasis on kids in peril, the gradual introduction of monstersinto an ordinarycommunity, shattering its veneer of safety. That’s all true. And I have to imagine Spielberg would also approve of the way Mitchell doesn’t hold back in moments of shocking violence, nor the wayhe refuses to allowthe film’s darker elements to get in the way of a good dinosaur poop joke.

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The End of Oak Street may not be Mitchell’s most original film to date; a lot of people probably could combine the vibes ofPoltergeist and action ofJurassic Park into a single movie.But I’ve seen enough Jurassic Worldsequels to know: It ain’t as easy as it looks.

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Additional Thoughts:

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-I’ve never been a fan of wood paneling but The End of Oak Streetmakes a pretty compelling argument for it. Not only does it look nice in late afternoon light, it comes in handy when you needextra materials toboard up your home’s windows and doors because your entire neighborhood has been transported back to prehistoric times.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”-I’ve never been a fan of wood paneling but The End of Oak Streetmakes a pretty compelling argument for it. Not only does it look nice in late afternoon light, it comes in handy when you needextra materials toboard up your home’s windows and doors because your entire neighborhood has been transported back to prehistoric times.”}}}},”currentTextLength”:360,”runningCounter”:4,”cumulativePodTextLength”:1228,”totalSimilarConsecutiveElements”:7,”totalTextLength”:2031},{“type”:”singlePostText”,”data”:{“text”:”

-It’s almost a rule of a movie likeThe End of Oak Streetthat the characters will grab whatever things they have lying around and use them as weapons to defend themselves. Brian likes archery so he’s got his bow and arrow ready when he needs to go out into the neighborhood and fend off dinosaurs. But I love that Brian is aterrible shot and isgenerallyuseless as an action hero. More ineffectual dorks screwing things up and not behaving like implausible badasses in action movies please!

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”-It’s almost a rule of a movie likeThe End of Oak Streetthat the characters will grab whatever things they have lying around and use them as weapons to defend themselves. Brian likes archery so he’s got his bow and arrow ready when he needs to go out into the neighborhood and fend off dinosaurs. But I love that Brian is aterrible shot and isgenerallyuseless as an action hero. More ineffectual dorks screwing things up and not behaving like implausible badasses in action movies please!”}}}},”currentTextLength”:532,”runningCounter”:5,”cumulativePodTextLength”:1760,”totalSimilarConsecutiveElements”:7,”totalTextLength”:2031},{“type”:”singlePostGoogleAd”,”data”:{“adUnit”:”hindsight-300×250″,”adCount”:3}},{“type”:”singlePostText”,”data”:{“text”:”

-Mitchell’s dedication in the end credits, and how it relates tothe events depicted in the film’s final act,nearly moved me to tears. I wound up admiring the movie even more once I realized what hehad been up to the whole time.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”-Mitchell’s dedication in the end credits, and how it relates tothe events depicted in the film’s final act,nearly moved me to tears. I wound up admiring the movie even more once I realized what hehad been up to the whole time.”}}}},”currentTextLength”:259,”runningCounter”:6,”cumulativePodTextLength”:2019,”totalSimilarConsecutiveElements”:7,”totalTextLength”:2031},{“type”:”singlePostText”,”data”:{“text”:”

RATING: 8/10

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”RATING: 8/10“}}}},”currentTextLength”:12,”runningCounter”:7,”cumulativePodTextLength”:2031,”totalSimilarConsecutiveElements”:7,”totalTextLength”:2031},{“type”:”singlePostNewsletter”,”data”:{“title”:”Signup for the ScreenCrush Newsletter”,”description”:”Get the best of ScreenCrush delivered to your inbox everyday”,”confirmation”:”Thanks for subscribing!”,”lists”:”ScreenCrush”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostGallery”,”data”:{“id”:”6a7e7f4776aa6b186fe730af”,”iscarbongallery”:1,”layout”:””,”url”:”/rest/carbon/api/gallery/6a7e7f4776aa6b186fe730af”,”status”:”active”,”description”:”

We can’t imagine any of these movies without these lines now.

“,”title”:”10 Iconic Movie Lines That Were Total Accidents”,”source”:{“blogId”:442,”domain”:”screencrush.com”,”name”:”ScreenCrush”,”callsign”:”ScreenCrush”,”market”:”National”},”items”:[{“createdGmt”:”2026-08-14T02:42:59.258Z”,”id”:546984,”_id”:”6a7e80b370aa4cd9eb8b807c”,”blogId”:442,”domainUrl”:”https://townsquare.media/site/442/files/2026/08/attachment-midnight-cowboy-1.jpg”,”photo-url”:”https://townsquare.media/site/442/files/2026/08/attachment-midnight-cowboy-1.jpg”,”photo-title”:”Midnight Cowboy: “I’m walkin’ here!””,”photo-description”:”

Good actors know when to take a break once a scene gets really frustrating to shoot. Great actors know how to channel that frustration directly back into the character. That’s exactly what Dustin Hoffman did while filming a scene in Midnight Cowboy: As he and his co-star Jon Voight were walking down a New York City street, an aggressive cab driver nearly missed hitting Hoffman, who, without missing a beat, shouted at the car, “Hey!! I’m walkin’ here!” That line has become so synonymous with the city of New York — and with crossing dangerous city streets in general — that it’s impossible to imagine a world where it didn’t exist.

“,”photo-width”:1620,”photo-height”:1080,”photo-excerpt”:”United Artists”}],”totalItems”:10,”credit”:”Emma Stefansky”,”creditUrl”:””,”activeDomain”:”screencrush.com”,”galleryCounter”:1},”runningCounter”:1,”totalSimilarConsecutiveElements”:1}],”uniquePodTypes”:[“singlePostText”,”singlePostImage”,”singlePostNewsletter”,”singlePostGallery”],”images”:{},”adPodIndex”:2,”podHeader”:[{“type”:”articleThumbnail”,”data”:{“url”:”https://townsquare.media/site/442/files/2026/08/attachment-rev-1-nbr-fp-0061r_high_res_jpeg.jpeg”,”caption”:”Warner Bros.”}}],”next”:{“latest”:[{“postId”:546847,”thumbnail”:”https://townsquare.media/site/442/files/2026/08/attachment-the-end-of-oak-street.jpg”,”title”:”Is ‘The End of Oak Street’ a ‘Cloverfield’ Movie?”,”documentUrl”:”/end-of-oak-street-cloverfield-movie/”,”filterUrl”:”/rest/carbon/filter/main/end-of-oak-street-cloverfield-movie/”,”sortDate”:”2026-08-11 14:42:03.000 +0000″,”termTaxonomyId”:13417,”taxonomyType”:”tags”},{“postId”:545823,”thumbnail”:”https://townsquare.media/site/442/files/2026/05/attachment-ct-54129_msg.jpg”,”title”:”‘The Odyssey’Review: Nolan Journeys to the Beginning of Western Civilization to Tell a Story About Its End”,”documentUrl”:”/the-odyssey-2026-review/”,”filterUrl”:”/rest/carbon/filter/main/the-odyssey-2026-review/”,”sortDate”:”2026-07-16 20:29:24.000 +0000″,”termTaxonomyId”:1185,”taxonomyType”:”tags”},{“postId”:544126,”thumbnail”:”//townsquare.media/site/442/files/2026/06/attachment-nbr-fp-0030r.jpg”,”title”:”‘The End of Oak Street’ Trailer: Can You Guess the Latest J.J. 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