Yoshida Daihachi’s Teki Cometh proved to be the big winner of the Tokyo International Film Festival’s major awards categories that were revealed Wednesday night at a glitzy ceremony in the Japanese capital. Teki Cometh, a feature adaptation of a book by celebrated Japanese novelist Tsutsui Yasutaka, won the festival’s top prize, the Tokyo Grand Prix,
Tokyo Film Festival
Taiwanese-Burmese filmmaker Midi Z caused a stir and gained good notices with his 2019 film Nina Wu, which dealt with the exploitation of women in entertainment, and was released in the midst of the global #MeToo movement, a long overdue public reckoning for powerful men who had committed acts of sexual violence and misconduct. Selected
New technologies led by artificial intelligence and virtual production are profoundly changing visual effects but are still “another paintbrush” in the service of storytelling, says VFX veteran George Murphy. “Virtual production is not just a tool for VFX; it’s a storytelling tool that allows actors to feel fully immersed in the scene, instead of having
Hirokazu Koreeda confessed he had wanted to have an in-depth talk with Indian filmmaker Payal Kapadia ever since he saw her film All We Imagine as Light at the Cannes Film Festival this year. On Tuesday, the Japanese auteur finally got his chance as part of the intimate TIFF Lounge talk series held during Tokyo