Good Night, Oscar, the Oscar Levant bio-play starring Sean Hayes, and El Mago Pop, the Broadway debut of Spanish illusionist Antonio Díaz, ended their limited Broadway engagements on upswings last week, with the former selling out for its best week take of $1,147,057 and the magician conjuring a big $2,717,000 to break the house record
Sweeney Todd
Tony nominations seem to have given a box office boost to at least some of Broadway’s shows, with Some Like It Hot, Kimberly Akimbo, Parade and Leopoldstadt reporting noticeable bumps for the week ending May 14. The biggest improvement, though, was for a musical that scored zero nominations: Bob Fosse’s Dancin’ grossed $678,147 in its
A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical