Specialty box office is ready for liftoff. With Los Angeles and New York completely peeling back restrictions on theater capacity for the first weekend, we are starting to see rays of hope illuminate the limited release space. Meet The Blacks 2 blasted expectations last week by posting a $1M+ debut (per screen average of $2,533).
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Hidden Empire Film Group’s comedy/horror romp The House Next Door: Meet the Blacks 2 scared up a $1.064M opening weekend (per screen average of $2,533) with writer-director Deon Taylor and his team huddling right now over where and how much to expand the run — but expand it they will. Taylor’s thrilled with the $$
With more theaters reopening and film-goers slowly returning, life is being resuscitated into the specialty box office. This week we see a faith-based movie premiere banking serious dinero. Witnesses is a film recounting the early days of the Church of Latter-Day Saints and the translation of the Book of Mormon. The movie is directed and
We might finally see some light returning to the specialty box office this Memorial Day weekend. Bố Già (Dad, I’m Sorry) is a comedy-family drama directed by comedian and Vietnam television host Trấn Thành and Vũ Ngọc Đãng. The movie is an adaptation of a hit web drama that was originally released on YouTube, where it
(Interactive chart with estimates below) Three different premieres led the specialty box office this weekend with each film breaking a 100K weekend gross. First, Focus Features’ Final Account splashed in at $150K this opening weekend. Over a decade in the making, the timely documentary offers a portrait of the last living generation of everyday people
(Interactive chart with estimates below) Though the country might be inching towards normalcy, the specialty box office has yet to make steps towards a total recovery. This weekend we failed to see a single film break a 100K gross. Opening at 41 screens this week was IFC Midnight horror flick The Djinn. Co-directed by David
(Interactive chart with estimates below) Vertical Entertainment’s Four Good Days claimed the highest total over Mother’s Day weekend. It was a remarkably slow three-day stretch at the specialty box office with the Glenn Close and Mila Kunis-starring drama being the only film to break the $200K mark. Though Four Good Days grossed almost $100K less
(Interactive chart with estimates below) Together Together topped the specialty box office for a second week in a row. The Bleecker Street comedy starring Ed Helms broke the million-dollar cume mark this week, hauling a modest $313,000 over the weekend. Vertical Entertainment’s debut of Four Good Days, starring Glenn Close and Mila Kunis, wasn’t too
(Interactive chart with estimates below) As Hollywood buckled up for the Oscar showdown at Union Station, the specialty box office saw a new release sweep the floors in its theatrical debut. This week, Bleecker Street released the comedy Together, Together, starring Ed Helms and comic Patti Harrison. The pic follows a young loner Anna (Harrison)
(Interactive chart with estimates below) This week, Neon released its COVID-inspired horror film In The Earth, directed by Ben Wheatley (Down Terrace, Kill List). Written across 15 days last August, the movie follows a scientist and a park scout in the midst of a pandemic. Their journey into a forest becomes imperiled as they find
(Interactive chart with estimates below) This week, Atlas Entertainment’s The Girl Who Believes in Miracles grew to 900 runs in 175 markets (up from 640 runs in 154 markets) as it tallies its weekend best at $604,000 with its cumulative box office total doubling to $1,326,000. In its second weekend, the Rich Correll-directed drama posts
The Vaughn Stein-directed psychological thriller Every Breath You Take made its theatrical premiere this weekend on 106 screens and added some coins to the specialty box office piggy bank. The film, which also landed on VOD this weekend, is on track to earn an estimated $35K with its debut. Written by David K. Murray and starring Casey
After winning a Golden Globe, numerous critics circle accolades as well as SAG Award, Independent Spirit Award and Critics Choice nominations, Minari has taken its success overseas as the A24 American family drama has opened at number one in South Korea. Minari has banked an estimated $2.2 million in South Korea, earning more than double of