With just a few weeks left in 2024, notable films continue to land with Nickel Boys and The Last Showgirl officially jumping into awards season — the former already a two-time winner at the first stop, the Gotham Awards. A few big indie stories are yet to be told, with Babygirl and A Complete Unknown
Specialty Preview
An army of indies are populating the last few weeks of the year in a fall box office that’s the most buoyant it’s been in years but still picks and chooses among specialty fare which travels from festival standouts to the Odyssey to Y2K. The latter is A24’s dial-up disaster hijinks, the directorial debut
Catching up to three big name festival films that opened Wednesday at the specialty box office to start the extended U.S. Thanksgiving holiday weekend – Luca Guadagnino’s Queer from A24 starring 007 Daniel Craig; Angelina Jolie as Maria Callas in Pablo Larraín’s Maria from Netflix, both of which premiered at Venice; and Iranian filmmaker Mohammad
It’s a quiet but quality indie weekend led by documentaries and a few features in limited release as Gladiator 2 and Wicked storm in, other independents hold over, and ahead of anticipated specialty debuts next week like Queer, The Seed Of The Sacred Fig and Maria. Docs out today follow artists in Ukraine, women in
Partners Sideshow Pictures and Janus Films open All We Imagine As Light on Friday and will follow the playbook for Drive My Car, the indie distributor’s first film that began a slow rollout about this time in 2021, collecting awards, nice grosses and finishing with an International Picture Oscar win amid a flurry of nominations.
It’s suddenly been, if not an embarrassment, then for sure a nice flush of riches in the indie film space as high-profile festival and well-reviewed fare continues releasing into awards season. This week we’ve got a return guest with wide re-release of Godzilla Minus One. Emilia Perez is hitting 125 theaters, quite a few for
Four top films this weekend are indies – five including The Substance at no. 11, as the specialty market roars back to life. No. 3 at the domestic box office is a great story, Conclave from Focus Features, the studio behind the Downtown Abbey films. excels at drawing still elusive but key older demos to
Indie releases from limited (Memoir of a Snail) to wide (Conclave) are testing an increasingly lively specialty box office heading into awards season with a handful of decorated documentaries this week including Dahomey, Black Box Diaries, My Name Is Alfred Hitchcock and Another Kind of Wilderness and some notable expansions. Also hitting theaters this weekend,
It’s busy and Twister-y at the box office but a few indies are hoping to catch a breeze with very well reviewed Oddity looking to expand the market for high-end horror and Widow Clicquot to attract fans of good period films and bubbly. Oddity from IFC Films, is a supernatural home invasion horror written-directed by
Sing Sing, the powerful, poignant prison drama starring Colman Domingo, opens NY/LA, with indie love stories Dandelion and Touch debuting on hundreds of screens as distributors continue to tinker with release patterns. Martin Scorsese, eloquent as always, narrates (and executive produced) Made In England: The Films of Powell And Pressburger. Sorry/Not Sorry takes on comedian
Gory Hindi action film Kill opens on 827 screens via Roadside Attractions this weekend. It’s the distributor’s first foray into Indian film, which is having another moment after two pics hit the top 10 in North America last week. This is a crowded theatrical market with wide releases piling in and some high-profile indie holdovers.
The indie market is feeling pretty good. A big film from India Kalki 2898 AD may unseat RRR’s North American opening weekend. June Squibb-starrer Thelma is blowing through midweek shows and stands at $3.75 million heading into week 2 steady at 1,280 theaters. Searchlight Pictures Kinds Of Kindness by Yorgos Lanthimos (Poor Things) starring Emma
The indie box office roared to life this weekend as Thelma from Magnolia Pictures saw a hefty $2.2 million on 1,280 screens and Searchlight Pictures’ Kinds of Kindness booked a stellar $70k per screen average at five theaters in LA and NY for $350k — the year’s highest per screen average and best overall limited
After knocking it out of the park with Poor Things last year, director Yorgos Lanthimos and star Emma Stone are back at the box office with Kinds Of Kindness from Searchlight, which looks set to shake up a sluggish arthouse market with the best limited opening this year. The best PTA in 2024 so far
. There’s been much speculation about distributors being wary about taking films critical of Donald Trump for fear he will sue – most recently Ali Abassi’s biopic The Apprentice, which premiered at Cannes to great reviews. The former president hates the movie and backer Dan Snyder has disavowed it. But if you love the guy,
It’s a big weekend for critically acclaimed indies in limited release as well as a handful of moderate openings, including Richard Gere’s latest film Longing. The provenance of that is unusual as the film from Lionsgate/Grindstone is a Canada-set remake of a 2017 Israeli drama. The original was quite well received, but the film opening
Few big new studio wide releases, yes, but Viggo Mortensen’s latest is on 700 screens, plus limited openings for Chris Wilcha’s Flipside, Judd Apatow EP, and Spanish animated, Oscar-nominated Robot Dreams from Neon. Bleecker Street’s family drama Ezra and IFC Films’ arthouse slasher In A Violent Nature are technically wide but both well under 1,500
A searing historical drama set in mid-19th century Bologna, and a TIFF award winning coming-of-age story open in limited release. The fascination with female conductors continues in doc Maestra. Netflix starts a small run with Richard Linklater comedy Hit Man. A24’s I Saw TV Glow is steady on under 400 screens. Evil Does Not Exist
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has
It’s an indie grab bag and a fun one this weekend with the widely pummeled TIFF-premiering Poolman, (the people will decide), Jamie Foxx in comedy Not Another Church Movie, and Eric Bana’s Force of Nature: The Dry 2 sequel. Mubi and Strand Releasing are testing the market with limited openings Gasoline Rainbow and A Prince.
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April. The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun.
It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated
There’s a nice trio of specialty films to highlight this weekend from Joanna Arnow, Uberto Pasolini and Caitlin Cronenberg‘s feature directorial debut. Joanna Arnow’s micro-budget comedy The Feeling That The Time For Doing Something Has Past world-premiered in Cannes’ Directors’ Fortnight. It follows a 30-something New York woman as time passes in her long-term casual
Sasquatch Sunset directors Nathan and David Zellner (Kumiko, The Treasure Hunter) always wondered what these hairy giants do when they’re not walking – the only Bigfoot footage available has been a minute of a supposed Sasquatch wandering in the northern California woods. They decided to flesh that out in unique dialogue-free comedic imagining of the
Vera Drew’s The People’s Joker – which was pulled from TIFF in 2022 over “rights issues” — starts a theatrical debut today at the IFC Center, moving to LA’s Landmark’s Nuart next weekend and expanding thereafter with about 85 booking so far — a nice outcome for the mixed-media coming-of-age dark superhero parody that “had
Liam Neeson crime thriller In the Land of Saints and Sinners opens on 896 screens this weekend, joined by Sean Penn in Asphalt City — the Godzilla vs. Kong of the specialty market? Neeson reunites with The Marksman director Robert Lorenz as a newly retired assassin in a remote Irish village who finds himself drawn into a
Q&A’s are a staple of indie opening weekends since they tend to sell tickets but Bob and Jeanne Berney’s Picturehouse has raised that bar, offering audiences seven-minute live burlesque revues before selected screenings of documentary Carol Doda Topless At The Condor. The ode to the woman, and to 1960s San Francisco where she broke out
A trio of moderate releases – One Life, The American Society Of Magical Negroes and Knox Goes Away join Janus Films’ celebration of master musician Ryuichi Sakamoto, and César award winning The Animal Kingdom as the next wave of 2024 indie films rolls out post-Oscars. Focus Features’ American Society Of Magical Negroes, the feature directorial
A24’s psychological thriller Love Lies Bleeding by director Rose Glass starring Kristen Stewart, Katy O’Brian, Jena Malone and Anna Baryshnikov, with Dave Franco and Ed Harris, opens in limited release on five screens in New York and LA , expanding next week. A reclusive gym manager Lou (Steward) falls hard for Jackie (O’Brian), an ambitious bodybuilder headed
Two well-reviewed indies are taking a bow in limited release in the shadow of Dune, A24’s Problemista by Julio Torres, and Shayda from Sony Pictures Classics, the feature debut of Noora Niasari. Torres, the comedian, actor and writer, in his directorial debut, stars with Tilda Swinton as Problemista gets its release at last after being
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