Refresh for latest…: Warner Bros/New Line DC’s Black Adam in its second offshore frame saw a strong hold, down just 45%. It added $39M from 76 offshore markets to take the running international box office total to $139M for a global cume through Sunday of $250M. While superhero movies are typically frontloaded, there were a
Smile
UPDATE, writethru: Horror ruled at the global and international box office again this session with Universal/Blumhouse’s Halloween Ends bowing to $17.2M in 77 overseas markets for a $58.4M worldwide launch. Last week’s champ, Paramount’s Smile, put in another scary strong performance, dropping just 16% with $16.3M in 61 markets, to beam at a running offshore
FRIDAY MIDDAY UPDATE: As of this minute, Halloween Ends isn’t looking as super as the forecasts had predicted — meaning in the $50M range. Still, at a $43M opening, it’s not shabby for a film that cost $30M. Remember, it is a threequel. Universal can brag that it’s the sixth year in a row (8th
Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. From Paramount Players and Temple Hill, the movie has seen some
The over-under on Universal/Blumhouse/Miramax’s Halloween Kills for its debut weekend is $50 million at 3,800 theaters. Some even see it possibly touching $60M, and that’s with a theatrical day-and-date on Peacock. That opening alone is what all films have been averaging at the box office over the last three weekends: $55M. In 2021, Part 2
Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date. The overseas increase is quite literally gobsmacking
FRIDAY MIDDAY UPDATE: Paramount has everything to be happy about heading into the weekend as their horror movie Smile is coming on strong with $3.85M today for what is now looking at a $13.1M second frame at 3,659 theaters, -42% – spectacular for a horror movie considering they typically drop 60% or more in weekend
Predictions are always a hazardous thing. And I truly hope this one is wrong. But it sure looks like the movie box office, disastrously low in September, will be stuck on the bottom again this month. September is rarely a great month for ticket sales, but last month is better left undiscussed. Putting aside the
Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale
UPDATE, writethru: There was a varied offering at the international box office this weekend with newcomers from Hollywood and offshore markets, as well as notable holds, as we inch closer to full-on action later in October. Big overseas entries included Mani Ratnam’s historical epic Ponniyin Selvan: Part 1 in a strong debut in India and
SATURDAY AM: Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak, a standard audience reaction for such fare.
Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June. Paramount is expecting a high-teens start this weekend,
There might be a box office surprise this weekend in Paramount’s horror movie Smile. Yes, we’re serious. The pic, from writer-director Parker Finn, was developed by Paramount Players, and the studio took a wait-and-see approach as to where would land — on Paramount+ or theatrical. Then Paramount held a test screening, and Smile played to great