Holly rings her school to tell them she is staying at home. She isn’t sick. She just can’t bring herself to go. “Bad things are going to happen today,” she says just above a whisper, her voice cracking. But bad things happen to Holly most days; she is bullied constantly, little jibes from girls who
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UPDATE: Last season’s Tony-winning Broadway production of Richard Greenberg’s Take Me Out proved so popular that producers made the unusual decision to bring the show back, its cast largely in tact, for some extra innings. Take Me Out begins a 14-week Broadway run today, playing through January 29, 2023. The original cast remains except for
A Pulitzer Prize can be a burden, one must assume, trumpeting expectations and pumping reputations from a distance. Martyna Majok‘s Cost of Living won the trophy in 2018, and that victory has been mentioned often in the lead-up to the play’s opening on Broadway tonight in a Manhattan Theatre Club production at the Samuel J.
Director Zhang Yimou returns to theaters this weekend with Cliff Walkers, an espionage thriller set in 1930s China. It’s a change of tone for the director of Shadow, House Of Flying Daggers and Hero, who also helmed Matt Damon-starrer The Great Wall in 2016. Based on a script by Quan Yongxian, Cliff Walkers opens in
Will the movies ever let religion back into the mainstream? It doesn’t seem likely, given the secular bent of most critics, festivals, and film awards. But the question could certainly occur to any thoughtful viewer of Marco Pontecorvo’s Fátima, which is set for release by Picturehouse in theaters and via PVOD on Aug. 28. The
What will theater look like after the pandemic? How will stage artists address the societal upheavals wreaked by COVID-19? Everyone’s asking, no one knows, but Tony Award-winning playwright Richard Nelson and New York’s Public Theater offered up a much-needed and beautifully executed bit of hope last night with the era-suiting livestreamed world premiere of What
Even the most wholly original works of art can, in the service of story or character or heart, summon the stray memory, the whispery chill of déjà vu. They’ll switch on the bittersweet recall of better times or drip-drop echoey little splashes of the worst. Most, though, remember to turn the damn spigot off. Watching