Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One is off and running overseas with a $39.8M cume through Thursday in 48 international box office markets. This includes Wednesday openings in some markets and a strong paid preview program. With domestic’s Wednesday/Thursday plus previews, that brings the global total on the Tom Cruise-starrer to $$63.6M through
Paramount
EXCLUSIVE: Paramount/Skydance’s Mission: Impossible: Dead Reckoning – Part One is looking at $6M-$7M in previews so far, which is bound to be higher than the Thursday previews of the last Mission Impossible – Fallout back in 2018 which did $6M. This is according to sources. The figures we’re seeing now could go higher or lower.
Can Tom Cruise save summer? Despite the onslaught of shiny product that hasn’t delivered, i.e. Flash and Indiana Jones and the Dial of Destiny, the summer domestic box office at $2.1 billion per Comscore is pacing 6% behind last year’s for the period of May 1 to July 9. All eyes are on the best
Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore. The movie reps a concentrated reboot by the studio of the long-in-tooth robots-in-disguise franchise, which has suffered in latter installments from
Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
EXCLUSIVE: Deadline has learned that Oscar winning filmmaker Martin Scorsese will be making an appearance at CinemaCon this year to receive the Legend of Cinema Award. The honor will happen during a sitdown lunch discussion with Scorsese following Paramount Pictures’ Thursday morning presentation on April 27. It’s very timely as Scorsese in mid-May will have
Paramount and Hasbro eOne with the greatest of intentions have created an extremely fun, broad-audience appealing feature take on the classic roleplaying game, entitled Dungeons & Dragons: Honor Among Thieves, which already is 90% certified fresh on Rotten Tomatoes –not an easy feat with a genre movie of this caliber– and 94% with moviegoers. Paramount
Paramount/Spyglass Media’s Scream VI is headed to a franchise-record opening of $50M+ worldwide from roughly 50 offshore territories including domestic. The most recent Scream pic opened to $48M WW, $30M from U.S./Canada last year. The highest opening for the Kevin Williamson-conceived horror series was Scream 3, which opened to $34.7M domestic in 2000. Scream VI,
The 3x Oscar-nominated Damien Chazelle-directed early Hollywood epic Babylon will hit Paramount+ on Feb. 21 in U.S and Canada, which is 61 days after its theatrical window. The Paramount/C2 movie which stars Brad Pitt, Margot Robbie, Diego Calva and Lukas Haas will also debut in U.K., Australia, Germany, Switzerland, Austria, Italy, Latin America, Brazil and
Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. From Paramount Players and Temple Hill, the movie has seen some
There might be a box office surprise this weekend in Paramount’s horror movie Smile. Yes, we’re serious. The pic, from writer-director Parker Finn, was developed by Paramount Players, and the studio took a wait-and-see approach as to where would land — on Paramount+ or theatrical. Then Paramount held a test screening, and Smile played to great
Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today. When using restated international box office numbers, this would qualify the sequel as the 9th highest-grossing movie ever worldwide (currency exchanges are in massive flux
Refresh for latest…: Paramount/Skydance’s Top Gun: Maverick has raced past the $1B mark worldwide, becoming only the second movie of the pandemic era to reach such rarefied air — and Tom Cruise’s first time to the milestone in a career that has spanned 40 years. It took just 31 days for the aviators to get
Flying high with the success of Top Gun: Maverick, and before surprising CineEurope attendees with Tom Cruise himself, Paramount showed off its upcoming slate for exhibition today in Barcelona. While Maverick and next year’s Cruise tentpole, Mission: Impossible – Dead Reckoning – Part One, were a key part of the show, upcoming titles highlighted included
Paramount’s Sonic The Hedgehog 2 has crossed the $400M threshold at the global box office, including $190.6M from domestic and $209.5M internationally through Tuesday. It is currently the No. 8 film worldwide in 2022 and is likely to jump up a few notches as it still has Japan and Hong Kong to release. At Paramount’s
EXCLUSIVE: To celebrate the 25th anniversary of James Cameron’s Titanic, the multiple Oscar winner and box office phenomenon has been set for a fresh theatrical release just in time for Valentine’s Day next year. A remastered version will be available in cinemas in 3D 4K HDR and high-frame rate, with Disney releasing internationally beginning February
Refresh for latest…: For the second time in eight months, Tom Cruise thrilled attendees at the CineEurope exhibition conference, appearing live on stage here in Barcelona this morning to cap off Paramount’s slate presentation. The room again positively thundered with applause as everyone leapt to their feet for an extended standing ovation in honor of
‘Top Gun: Maverick’ Flies By $800M Worldwide; Becomes Tom Cruise’s Biggest Movie Ever – Deadline You will be redirected back to your article in seconds Skip to main content June 17, 2022 8:58am Refresh for latest…: Paramount/Skydance’s Top Gun: Maverick has buzzed yet another box office milestone, this time flying past $800M globally. The worldwide
UPDATED with TIFF exit: Clifford the Big Red Dog, Paramount’s CG/live-action movie that was unset from its planned September 17 release, will also not world premiere at next month’s Toronto Film Festival. It had been set as a Gala Presentation via the pic’s Canadian rightsholder eOne, which confirmed the news today that it was removing
Paramount Pictures has curbed the planned September 17 release of Clifford the Big Red Dog, its CGI/live-action take on the beloved kidlit character. We hear that the studio is looking for a more family-friendly release date for the pic, which also had been announced as a Gala Presentation at the Toronto Film Festival in September. The title’s
FRIDAY AM Update: Refresh for updates Universal’s Old grossed $1.5M on Thursday night from 2,750 theaters that began showtimes at 7PM. This topped the Thursday night results for Paramount’s Snake Eyes: G.I. Joe Origins which did $1.4M, also starting at 7PM at 2,662 theaters. Both titles are respecting a theatrical window. As far as who wins at the
Two wide releases, Paramount’s Snake Eyes: G.I. Joe Origins and Universal’s M. Night Shyamalan thriller Old, both respecting a theatrical window, will face off this coming weekend with results which are still too early to call as each are eyeing a mid-teens opening result. Previews for both titles begin Thursday at 7PM. In the meantime,
Amazon did not report viewership figures for their $200M Skydance acquisition title The Tomorrow War, but third-party streaming analytics corp Samba TV did, and the Chris Pratt movie drew 2.41M U.S. households during the 4-day holiday weekend. The previous 3-day weekend viewership for Amazon movies Tom Clancy’s Without Remorse, another Skydance pick-up by the streamer, and
UPDATED: Netflix said Wednesday that My Little Pony: A New Generation will debut on the streamer on September 24, 2021, the same date it had been planned to premiere when the eOne animated pic was set up at Paramount. Netflix acquired global rights in February when the pandemic was wrecking havoc with movie theaters. The
Paramount has just put an untitled A Quiet Place movie on the calendar for March 31, 2023. This is the one that Jeff Nichols is writing and directing which Deadline first told you about. It’s not a threequel. It’s based on an idea from John Krasinski. Pic is very early in development and simply being billed
Paramount’s A Quiet Place Part II is looking to make some noise in China with a last-minute release date now set for this coming Friday (May 28). This is notable given that the first John Krasinski-helmed thriller was among the rare horror pics to gain access to the Middle Kingdom, and then was even granted