Just in time for Oscar season, 20th Century Studios has dated the Jeff Nichols written and directed, The Bikeriders, which follows the rise of a Midwestern motorcycle club through the lives of its members. The pic will open on Dec. 1 this year. The Bikeriders is based on the Danny Lyon novel, and it’s produced
Norman Reedus
Something has happened with the current season of The Walking Dead that may be unprecedented in TV history. Due to the volatile circumstances resulting from the coronavirus pandemic, the AMC’s zombie drama’s tenth season will have three season finales. There was the out-of-necessity finale in the spring, “The Tower,” which was supposed to be Season 10’s penultimate
We knew this day would come, but it’s still a lot for our zombified brains to process: The Walking Dead, AMC’s groundbreaking megahit horror drama, will be coming to an end with a two-year expanded Season 11, the network announced Wednesday. It will be followed by a spin-off focused on the show’s two most popular
Hilltop was under attack yet again in “Morning Star,” the eleventh episode of The Walking Dead Season 10. The colony is in the most precarious position from outside forces it’s been in since the Saviors engaged in biological warfare with walker-contaminated weapons back in Season 8. The Whisperers are doing their own kind of biological
The Walking Dead turned in a thrilling, action-packed episode with Season 10, Episode 10. “Stalker” had big developments for Alpha (Samantha Morton), Gamma (Thora Birch), Lydia (Cassady McClincy), Father Gabriel (Seth Gilliam), and Rosita (Christian Serratos). It was a fast-paced episode with the best jolt moment of the season to date. (I want to call
Aside from what seems to be the inciting incident in Michonne’s (Danai Gurira) final Walking Dead story (more on that later), “Silence the Whisperers” was an internal episode, focusing on the emotional and mental states of Lydia (Cassady McClincy), Negan (Jeffrey Dean Morgan), and Ezekiel (Khary Payton) specifically, and the increasingly paranoid and fearful communities
The Walking Dead returned for Season 10 with a slapper of a premiere. The Angela Kang-penned, Greg Nicotero-directed “Lines We Cross” had the things fans want from the show: zombie action, meaningful character interaction, a bit of formal experimentation (this episode had title cards like “TRAINING DAY” and “NEW MEXICO” turn scenes into little chapters),