The period around 1968 in what was then known as Czechoslovakia has gotten the film and TV treatment numerous times. But the 58th edition of the Karlovy Vary International Film Festival (KVIFF) saw the world premiere Waves, of a new take on the time before and after the invasion of Czechoslovakia by Soviet Union-led Warsaw
Karlovy Vary International Film Festival
Nicole Holofcener makes films that are about the high drama and inherent comedy in everyday life. The writer-director has long turned what could be seen as a plot point in a larger story — a best friend moving in with a fiancé (Walking and Talking) or a husband lying about liking his wife’s first novel
Clive Owen has never been interested in being comfortable. From Spike Lee’s Inside Man and Alfonso Cuarón’s Children of Men to Robert Altman’s Gosford Park and Steven Soderbergh’s The Knick, the actor has worked with a range of filmmakers across an expanse of projects over both film, television and the stage. “I like to choose
Nicole Holofcener (Walking and Talking, Friends With Money) on Wednesday entertained attendees of a Czech film festival, discussing, in a Q&A, her collaborations with such stars as Ben Affleck and Matt Damon as well as losing out on directing Reese Witherspoon in Legally Blonde. Holofcener has been busy in the Czech spa town of Karlovy
Steven Soderbergh has been all over the Czech spa town of Karlovy Vary in recent days. On Monday, he shared his takes and insights on such topics as AI, sex scenes, movie release windows, Hollywood’s current “correction,” new projects and even the success of Taylor Swift with a group of reporters. The prolific director, producer, screenwriter and
World politics took center stage in the Czech spa town of Karlovy Vary on Sunday. Ukrainian filmmaker Oleh Sentsov world premiered his documentary Real from the trenches of the Ukraine War at the 58th edition of the Karlovy Vary International Film Festival. But beforehand, he met with Czech president Petr Pavel who expressed the Czech Republic’s support for
When it comes to celebrated Czech writer Franz Kafka, filmmakers the world over have long been inspired to either adapt his work outright or make movies that are decidedly “Kafkaesque,” filled with the kind of angst, alienation and absurdity the made the novelist one of the most prominent and distinctive figures in 20th century literature.
Swedish artist Victoria Verseau, born in 1988 and based in Stockholm, explores themes such as body, memory, identity and social structures via a range a media, from sculptures and installations to performance art and short films. “The works are often based on her personal experiences of being trans and a new woman,” her website highlights.