A record-breaking Thanksgiving frame is lifting all boats, tentpoles the most evident, with boom, boom, boom for Moana 2, Wicked and Gladiator II. Some 30 million moviegoers went to see one of these. In the weird post-Covid shift, tentpoles can slay, and indies can disappear. This weekend, however, they didn’t. Audiences showed decent specialty support
Heretic
Starting small on two screens but with surprising spring is animated Flow from Sideshow and Janus Films, setting the distributor’s highest per screen average of circa $25.4k, or $50.8k at two theater in NY and LA. Gints Zilbalodis’ feline tale, Latvia’s Oscar submission, was the top grossing film at NYC’s Angelika and third highest at
SATURDAY AM: The first two weekends of November have proven to be a rich starting point for movies — so why did Hollywood avoid booking tentpoles this year? It was only two years ago that the month notched its best opening ever on Nov. 11 with Black Panther: Wakanda Forever ($181.3M). It’s the doom and
Chloe East has a distinctive coping mechanism for navigating the pressures of her growing fame — she convinces herself that every project might fail. Her first big role was in 2021’s HBO teen drama Generation, and when network executives touted the series as “the next Euphoria,” her first thought was, “Is it, though?” Next, she
EXCLUSIVE: The theatrical late Q3 and Q4 schedule is getting booked up as A24 has dated five releases as follows: On Sept. 6, going wide, is The Eggers Brothers’ psychological horror movie The Front Room. The movie follows a woman’s mother-in-law who movies and proves to be the house guest from hell. Sound familiar? Brandy