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Robert Zemeckis has always been about a great technological or storytelling conceit in his movies whether it’s the live-action animated hybrid of the 3x Oscar winning Who Framed Roger Rabbit?, the insertion of Tom Hanks in famed historical footage in Oscar Best Picture Forrest Gump or the motion capture of The Polar Express. However, his
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It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered
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