Godzilla Minus One

Toho International’s Godzilla Minus One – with an Oscar nom and a $2.6 million estimated three-day gross – was no. 10 at the U.S. box office in week 9, and hit a milestone Friday. The giant radioactive reptile, on 2,001 screens, became the third highest-grossing foreign-language film Stateside passing Hero (2002, $53.7m) and Parasite (2019,
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As Godzilla Minus One winds down its notable theatrical run, distributor Toho International said it will play a remastered black-and-white version of the film for one week. Godzilla Minus One/Minus Color will be in U.S. theaters starting Friday, Jan. 26. Both versions of the film will end their theatrical run on Feb. 1. The black
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Toho International’s sleeper hit Godzilla Minus One grossed an estimated $853k this weekend for a cume of $50.9 million at 605 locations in week seven as arctic blasts buffet much of the nation. The film about the giant reptilian monster passed the $50 million market Saturday, becoming the highest grossing Japanese language live action or animated
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Godzilla Minus One, now at $14.36 million at the box office, has stomped into a record — it’s now the highest grossing live-action Japanese film in North America. This follows an opening weekend that marked the biggest Stateside debut of a foreign film this year. Distributor Toho International said it’s been adding screens this week
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Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas. While the movie is rated 100% by both audiences and critics on Rotten Tomatoes, it did come in low versus offshore
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AMC Entertainment’s second concert film theatrical release, Renaissance: A Film by Beyonce, fired up last night with $5M previews from showtimes that began at 7PM. While that figure is higher than the Thursday night previews for AMC’s Taylor Swift: The Eras Tour which did $2.8M, you’ll remember that previews for that Sam Wrench-directed movie were
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AMC‘s second concert movie theatrical release, Renaissance: A Film by Beyonce, hoping to liven up what is typically a dull frame at the box office –the post Thanksgiving/early December downer corridor– with what’s look like a $30M, maybe $40M global opening. The second movie ever to be distributed wide by an exhibitor arrives moments after
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Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
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