The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year’s third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no. 6. Searchlight Pictures’
Godzilla Minus One
It’s suddenly been, if not an embarrassment, then for sure a nice flush of riches in the indie film space as high-profile festival and well-reviewed fare continues releasing into awards season. This week we’ve got a return guest with wide re-release of Godzilla Minus One. Emilia Perez is hitting 125 theaters, quite a few for
Toho International’s Godzilla Minus One – with an Oscar nom and a $2.6 million estimated three-day gross – was no. 10 at the U.S. box office in week 9, and hit a milestone Friday. The giant radioactive reptile, on 2,001 screens, became the third highest-grossing foreign-language film Stateside passing Hero (2002, $53.7m) and Parasite (2019,
As Godzilla Minus One winds down its notable theatrical run, distributor Toho International said it will play a remastered black-and-white version of the film for one week. Godzilla Minus One/Minus Color will be in U.S. theaters starting Friday, Jan. 26. Both versions of the film will end their theatrical run on Feb. 1. The black
Toho International’s sleeper hit Godzilla Minus One grossed an estimated $853k this weekend for a cume of $50.9 million at 605 locations in week seven as arctic blasts buffet much of the nation. The film about the giant reptilian monster passed the $50 million market Saturday, becoming the highest grossing Japanese language live action or animated
Godzilla Minus One, now at $14.36 million at the box office, has stomped into a record — it’s now the highest grossing live-action Japanese film in North America. This follows an opening weekend that marked the biggest Stateside debut of a foreign film this year. Distributor Toho International said it’s been adding screens this week
Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas. While the movie is rated 100% by both audiences and critics on Rotten Tomatoes, it did come in low versus offshore
AMC Entertainment’s second concert film theatrical release, Renaissance: A Film by Beyonce, fired up last night with $5M previews from showtimes that began at 7PM. While that figure is higher than the Thursday night previews for AMC’s Taylor Swift: The Eras Tour which did $2.8M, you’ll remember that previews for that Sam Wrench-directed movie were
AMC‘s second concert movie theatrical release, Renaissance: A Film by Beyonce, hoping to liven up what is typically a dull frame at the box office –the post Thanksgiving/early December downer corridor– with what’s look like a $30M, maybe $40M global opening. The second movie ever to be distributed wide by an exhibitor arrives moments after
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported