Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy
Exhibition
UPDATE, 2:20PM: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny officially wins Tuesday with $11.698M over Sound of Freedom‘s reported $11.5M. Monday revised on Dial of Destiny was $11.7M, which means business was even on July 4th; and that’s solid for any tentpole on that holiday. 5-day on Dial of Destiny is $83.7M. PREVIOUS: Angels
Vietnam has banned commercial screenings of Warner Bros’ Barbie due to a scene that depicts a map of the South China Sea with the “nine-dash line” that is contested by the Vietnamese government. The film, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, was scheduled for release in Vietnam on July 21.
UPDATED EXCLUSIVE: Angel Studios’ thriller Sound of Freedom starring Jim Caviezel has seen its presales spike to $10 million. This is before the pic’s opening on July 4 in north of 2,600 locations. Many rivals are tracking this semi-faith-based, based-on-a-true-story title about about former Homeland Security agent Tim Ballard, who took rescuing abducted children around
Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys. That sequel’s launch just prior to July 4, 2015 left a lot of methane in the air with $42.4M in its
We’ve had a couple of tentpole missteps here this summer, read Indiana Jones and the Dial of Destiny this weekend with $60M, The Flash and Elemental; putting the running summer box office at $1.88 billion for May 1-July 2. That’s close to -2% off from the $1.91 billion reached over the same frame last year.
As Regal parent Cineworld prepares to exit Chapter 11 this month, rumors are heating up over who will emerge as the giant theater chain’s new chief executive, with reports Monday pointing to Eduardo Acuna of Cinepolis. Longtime Cineworld CEO Moody Greidinger has a consulting contract during a transition period but isn’t likely to stay in
Fans of The Name of The Rose author Umberto Eco turned out in NYC, boosting the documentary on medieval scholar turned novelist and social commentator to over $9.1k on one screen – a nice showing by The Cinema Guild for a foreign language documentary on a solid weekend for some indie and arthouse fare. Umberto
A trio of docs and a wider-than-usual run for a Vertical thriller populate a specialty weekend with fewer new openings as theaters stick with Asteroid City and devote screens to Indiana Jones and Ruby Gillman, Teenage Kraken. Call it jittery Friday as the indie community like the rest of Hollywood awaits news from SAG-AFTRA as
SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial
The National Association of Theatre Owners VP & Chief Communications Officer Patrick Corcoran is departing after 24-plus years. The news comes in the wake of NATO CEO and President John Fithian retiring after a 24-year run at the exhibition trade org. Together with Fithian, Corcoran, known for being a straight-shooter with the press, has had
It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
A bankruptcy court judge today gave a green light to a reorganization plan for Regal parent Cineworld, the key step needed for the giant movie theater chain to emerge from bankruptcy next month. At a hearing, in an order from the bench, Judge Marvin Isgur of U.S. District Court for the Southern District of Texas
Facing the worst reviews ever for an Indiana Jones movie, the Lucasfilm franchise finale, Indiana Jones and the Dial of Destiny, is hoping to gain traction with audiences and best its $60M-$65M domestic start, $140M global opening. If the post pandemic has proved anything, it’s that popcorn pics aren’t so beholden to the Rotten Tomatoes
Big cinema advertising platform National CineMedia said today its plan of reorganization has been confirmed by a judge in United States Bankruptcy Court for the Southern District of Texas. The company filed for Chapter 11 in April. It now expects to emerge in August or September. The plan allows the company to eliminate debt and
Cineworld said on Monday that as part of its proposed restructuring following Chapter 11, it expects to file for administration of its listed entity Cineworld plc in the UK but that its operating companies will continue business as usual without interruption. Administration in the UK is an insolvency process, similar to a bankruptcy process. The world’s second biggest
Focus Features expanded Asteroid City to the highest grossing weekend for a Wes Anderson Film with a projected three-day estimate of $9 million from 1,675 theaters – no. 6 at the domestic box office — pushing the film’s cume to $10.2 million. It opened last weekend in six locations. Some 64% of moviegoers were 35 or younger. Males topped
A week of studio presentations and discussions, as well as chatter in the halls, at the CineEurope exhibition conference in Barcelona provided some interesting takeaways about the state of cinema and its future. The mood was generally optimistic, but concerns, and room for improvement, remain. Main talking points included the need for movie theater operators
Refresh for more….Sony’s mission to return comedy to the big screen with the R-Rated Jennifer Lawrence movie, No Hard Feelings, grossed $2.15M last night from showtimes that began at 4PM at 2,745 locations. The movie hopes to do around $12M this weekend in what will be second session where Warner Bros.’ misfire, The Flash, hopes
Two of the most successful specialty films of the year expand this weekend and a handful of others jump into an arthouse market that’s seen few new entrants in recent weeks as wide release piled on wide release. Wes Anderson’s Asteroid City jumps from a blockbuster six-theater opening ($800k over three days) last weekend for
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
Warner Bros’ DC pic The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second-weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independence Day stretch. That Weekend 2 slide for The Flash
In-theater advertising firm National CineMedia announced a special shareholders meeting to vote on a reverse stock split — a move that boosts the price of a company’s shares — as it risks being delisted by the Nasdaq market and works through a voluntary Chapter 11 reorganization. The company, which was founded and is largely owned
Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
Sony has just reserved dates for untitled Sony/Marvel movies: Nov. 8, 2024 and June 27, 2025. Both will have access to Imax screens. Let the speculations begin — could be Venom 3, could be Tom Holland’s next Spider-Man movie. Currently, there’s nothing against a Sony Marvel movie on Nov. 8. Universal has an untitled event
Executives of Regal parent Cineworld, led by CEO Mooky Greidinger, have agreed to a payout in the $30 million range, Deadline has confirmed, in the event that they leave leave the company as it prepares to exit Chapter 11. Documents filed earlier this year during ongoing bankruptcy proceedings in the Southern District of Texas indicated
Big news in specialty this weekend as Asteroid City arrives in theaters with Wes Anderson and his army of fans behind it and a major marketing campaign by Focus Features. The director’s latest opens at six locations in New York and Los Angeles, where Focus has partnered with Landmark for the reopening of Sunset, the
It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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