As exhibitors in major European markets begin eyeing potential openings at the end of June and through mid-July, some smaller hubs are returning to operation this week, albeit under strict social distancing guidelines and at reduced capacities. Overall, a somewhat clearer picture is beginning to emerge with regard to restarting the business in Europe —
Exhibition
EXCLUSIVE: When the Danny Boyle-directed fable Yesterday was released last June, it was viewed as a bright spot for counter-programming at a moment when Toy Story 4 owned the box office leading into Spider-Man: Far From Home. The Universal/Working Title film, which grossed over $153.7M worldwide, did well enough to make it onto a list
Marcus Corp, which owns the nations fourth largest movie chain as well as restaurants, hotels and resorts, swung to a loss last quarter, hit by theater closures and one-time charges. A net loss of $19.3 million compared with a $1.8 million profit the year before. Revenue dipped 6.2% to $159 million The company cited nonrecurring
Days after Jeff Shell’s statements in the Wall Street Journal about the $95M PVOD success of Trolls World Tour and the company’s plans for its film slate in homes and theaters, words which fired up AMC boss Adam Aron to embargo the studio’s films from its chain, the NBCUniversal CEO acknowledged the company’s commitment to theatrical, but
UPDATED: Lionsgate has just shifted a number of movie originally scheduled for this year pre-coronavirus to next year and beyond. John Wick 4 will no longer open on May 21, 2021 where Warner Bros. plopped Keanu Reeves’ Matrix 4, rather May 27, 2022, which is Memorial Day weekend. Taking over John Wick 4‘s old spot next
Not to deflate a rousing round robin of mudslinging between AMC, Cineworld and Universal, but this whole OMG melee between exhibition and studios over PVOD, theatrical-window crunching and hurt feelings is poised to calm down soon. Some industry insiders believe the situation has already eased, and the statements made this morning on Comcast’s Q1 earnings
EXCLUSIVE: Following yesterday’s flurry of dramatic exchanges involving AMC, the National Association of Theatre Owners and Universal, Regal Entertainment owner Cineworld Group has now added its voice to the chorus of windows controversy surrounding Trolls World Tour. The world’s second biggest circuit says its policy with respect to the window “is clear, well known in
2nd Update, 8:05PM: Following the National Association of Theatre Owners’ earlier statement today deflating NBCUniversal’s $95M PVOD victory with Trolls World Tour in the Wall Street Journal, the exhibition organization has issued another public statement tonight after Uni accused them of being in cahoots with AMC over the chain’s refusal to play Uni films. Earlier
Korea, the world’s fifth largest box office market, is re-opening a portion of its major cinemas this week after a soft-ish shutdown last month. One of the first new titles in the mix will be Universal/DreamWorks Animation’s Trolls World Tour which will play exclusively at the Megabox circuit, the market’s 3rd largest. The animated sequel
When Deadline runs its Most Valuable Blockbuster film profitability countdown each year, readers often ask about certain films that make big bucks but don’t make the list because they don’t hit the minimum on domestic grosses. Here are five pics that deserve honorable mentions for 2019. (The takeaway for all the overachievers: screw Disney.) THE FILM
Despite Texas Gov. Greg Abbott permitting movie theaters to re-open on May 1 in his state numbering nearly 30 million, big movies chains like AMC and Cinemark, which is located in Plano, TX, are still eyeing mid-summer re-opening, not only out of safety, but also due to the lack of new, fresh studio content. Abbott
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
Paramount has just made a few 2021 and 2022 release date changes with news that Mission: Impossible 7 will now open on Nov. 19, 2021 instead of July 23 next year. The Tom Cruise production was arguably the first Hollywood production to be halted out of safety due to the COVID-19 outbreak, with production completely stopped
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
Editors’ Note: As Deadline continues its Coping With COVID-19 Crisis series on the struggles of people in the entertainment industry impacted by the coronavirus-related shutdowns and layoffs, today we continue our latest series, Reopening Hollywood, focused on the incredibly complicated effort to get the industry back on its feet while ensuring the safety of everyone involved. We
Georgia Gov. Brian Kemp announced today that movie theaters, subject to special social distancing and sanitation mandates, are allowed to reopen next Monday April 27. Per CNN, Georgia is ranked 11th in the nation in regards to its coronavirus cases which number 18,9K in addition to 733 deaths. There is a debate among federal, state
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
China’s Dalian Wanda Group has issued a statement regarding its AMC Entertainment, calling speculation about the chain filing for bankruptcy “pure rumors.” This comes after an S&P Global report last week forecasted AMC’s depletion of cash by mid-summer and its potential inability to re-open by June, and as chatter has swirled about a possible Chapter
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
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