Disney’s Cruella has received a June 6 release date in China, which will see it start on a non-traditional Sunday next week. This is the latest Hollywood title to be confirmed by the Middle Kingdom with a shortened lead-time versus the usual 30-day advance. The Emma Stone-starrer began domestic and international box office rollout this
Disney
EXCLUSIVE: The first online teaser trailer for the Marvel Cinematic Universe’s third phase 4 movie Eternals has drawn an almighty 77 million global viewers in its first 24 hours since dropping Monday per social analytic sources. That’s the biggest online trailer drop for a Walt Disney and Marvel movie in the past 14 months of
EXCLUSIVE: Cineworld has concluded a deal with Disney to show the studio’s movies at its Regal chain in the U.S. and its cinemas in the UK, Deadline has learned. This now means the world’s No. 2 exhibitor has new agreements in place with three of the major studios: Disney, Warner Bros and Universal, the latter
The National Association of Theatre Owners, the Motion Picture Association, studios and industry figures are teaming for The Big Screen Is Back, a conference to be held on Wednesday, May 19 at the AMC Century City 15 in Century City, CA which will rally the comeback of exhibition as it reopens from the pandemic and present studios
Disney confirmed during a call to discuss its second-quarter earnings Thursday that, yes, the studio will be sticking to a purely theatrical window for some of its upcoming features. While the studio, due to the continued closure of offshore markets, has opted for a day-and-date theatrical/Disney+ Premier ($29.99) release of Cruella (May 28), Marvel’s Black Widow
Big movie chain Cinemark announced Friday it’s now reached agreements to theatrically showcase films from all five major studio partners across its U.S. theaters, although it didn’t provide terms or many details. On a conference call with analysts to discuss the exhibitor’s just released first-quarter financials, CEO Mark Zoradi called each of the five deals
Disney, which has been experimenting with the theatrical window lately with simultaneous movie releases on streaming service Disney+ Premier much to the upset of theater owners, dropped a PSA during the Oscarcast waving a flag for exhibition. Filled with first person testimonials of exhibition workers and clips from upcoming big pics like F9, No Time
Cineworld CEO Mooky Greidinger said today that the No. 2 global exhibitor is “actively negotiating terms and structures of evolving theatrical windows with our studio partners.” He made the comment on an earnings call after Cineworld reported 2020 results which included its first-ever annual operating loss ($2.26B) as the industry has been greatly impacted by
Here’s more fallout from Disney’s release date changes moves on Tuesday: With the studio dropping their 20th Century Studios’ Ryan Reynolds action comedy Free Guy on Aug. 13, Universal is now moving their Amblin Tom Hanks sci-fi film Bios, which was on that weekend, to Aug. 20 instead. That leaves the calendar looking as follows: August 13Don’t Breathe
While Disney’s seismic theatrical release changes with Black Widow, Cruella and Luca today were on the top of everybody’s minds, it was easy to ignore the elephant in the corner of the room. We’re specifically talking about Kenneth Branagh’s mystery ensemble Death on the Nile starring Armie Hammer, who has been besieged in an alleged sex scandal.
Just when it looked like studios were going back to a theatrical window release pattern with today’s news of Regal and Warner Bros’ deal, Disney has smashes that to bits. Disney said Tuesday that it is opening both of its key summer events pics Cruella and Marvel’s Black Widow simultaneously in theaters and on Disney+ with
SATURDAY AM Update: Even though just 37% of the entire Los Angeles theatrical market is back online, it was enough to propel the DMA to the top weekend spot on Friday with $427,2K, repping a +1,100% jump from the same period a week ago. Los Angeles will feasibly be the No. 1 box office market this
Refresh for latest…: As we first reported yesterday, James Cameron’s Avatar is again king of the all-time worldwide box office, having snapped the title back from Avengers: Endgame thanks to a very robust China reissue this session. The full three-day frame in the Middle Kingdom is estimated at $21.1M, also giving the sci-fi epic bragging
As James Cameron’s Avatar once again became the highest-grossing film of all time worldwide today, a long-held Hollywood tradition of the previous record-holder paying homage continued. Marvel Studios, whose Avengers: Endgame was just eclipsed by Avatar, tweeted congratulations to Cameron, as well as producer Jon Landau and “all of the Na’vi Nation” for “reclaiming the
As has been expected over the past few days, James Cameron’s Avatar has swapped places with Avengers: Endgame, reclaiming the title of highest-grossing movie ever worldwide. The China reissue of the 2009 3D sci-fi phenomenon had taken an estimated RMB 58M ($8.9M) through 5PM local time on Saturday after re-releasing on Friday in the market.
Well, that didn’t take too long. About 18 months after Disney/Marvel’s Avengers: Endgame assailed to become the top grossing moving of all-time at the worldwide box office with $2,789.2 billion in July 2019, word is that James Cameron’s Avatar, which the Russo Brothers-directed Marvel movie defeated, will once again bounce back to reclaim that title. Avatar
UPDATE with amended pre-sale figures, writethru after Wednesday post: Long-rumored for a China re-release, James Cameron’s Avatar suddenly popped onto the calendar this week. The erstwhile highest-grossing film of all time worldwide will hit Middle Kingdom cinemas on Friday, March 12. In so doing, it has a chance to jockey back up to the No.
With Disney and key exhibitors at loggerheads over the rental terms for the studio’s latest theatrical day and date Disney+ PVOD of Raya and the Last Dragon, leave it to a girl scout to call Disney CEO Bob Chapek to the carpet on why her local theater wasn’t playing the movie. During the Q&A at Disney’s
EXCLUSIVE: Today, Disney rolls out Raya and the Last Dragon, what is arguably its first domestic theatrical hybrid release; second worldwide if you count Mulan. The animated movie which is booked at 2,045 theaters, sans roughly 250 Cinemark locations, but including the newly reopened New York City market, is on its way to grossing a notable
Saturday AM Update: Even with three new wide releases at this weekend’s box office, and New York City finally reopening, numbers still aren’t at pre-pandemic levels, but there’s a lot of drama going on. Let’s start with Disney’s theatrical day and date Disney+ release of animated pic Raya and the Last Dragon which looks to be
Showbiz shares sparkled Monday, starting off March with a major market rally around reopening, another vaccine rollout, a stimulus bill and a combo of upbeat earnings and streaming forecasts. Johnson & Johnson’s vaccine, the nation’s third, will ship this week and the possibility of $1.9 trillion flowing into the U.S. economy looks increasingly likely after
EXCLUSIVE: In its first 24 hours after dropping on Feb. 17, the trailer for Disney’s edgy live-action feature Cruella about the famed 101 Dalmatians villainess drew a very notable 71M views per sources. That’s a very exceptional number for a trailer dropping during the pandemic, even beating the 24 hour trailer viewership figures of pre-Covid theatrical releases Maleficent: Mistress
EXCLUSIVE: Frank Patterson, who served as the Disney Vice President of Sales Eastern Division, has exited the studio after 17 years, Deadline has learned. Patterson is a second generation theatrical distribution vet; his father Frank Patterson Sr. was the longtime EVP and Head Film Buyer at Loews Theaters. When you speak to any major studio
While Disney CEO Bob Chapek remains flexible about release strategies for movies between the big screen and the studio’s streaming service Disney+, he said today that Marvel’s long-awaited feature Black Widow is still set to be a pure theatrical release as mentioned back at the company’s December investor day. However, “we’ll be watching to see the reopening
In the wake of MGM, Universal and Sony making major Q1 release date changes to their theatrical schedule yesterday, Disney is pushing a few of its 20th Century Studios releases to deeper in the calendar. It’s much delayed Matthew Vaughn directed period action feature The King’s Man is no longer going on March 12, rather Aug. 20
In the midst of some massive restructuring at Disney, Deadline has confirmed that Disney vet Tony Chambers has been upped to EVP of Theatrical Distribution. He’ll oversee both domestic and international film distribution as well as home entertainment. He replaces Cathleen Taff who took over global distribution when Dave Hollis left in 2018. Taff is
It was supposed to be a year when the playing field became even. After losing to Disney for four years in a row, with the Burbank studio setting an industry record in 2019 of $13.2 billion global box office, a new major studio was set to become the domestic king. “I think 2020 is going
A word for stocks in 2020: epic — as in monumental, as a bona fide crash in the spring alternated thereafter with convulsions of angst and optimism reflecting a world turned upside down by the first global pandemic in a century. Major indexes from the Dow Jones to the Nasdaq, S&P 500 and Russell 3000
As pollyannaish as it sounds, especially as the domestic 2020 box office crumbles to a historic all-time low of $2.27 billion due to the coronavirus pandemic, the global theatrical business is poised for a comeback in 2021. However, it might take a few months. How in God’s name can such a ridiculous projection be forecasted?
Imax CEO Rich Gelfond doesn’t see the Warner Bros.-induced sound and fury in Hollywood subsiding anytime soon as talent joins theaters to protest the studio’s 2021 theatrical windows – nor does he think Warner will stick it out for a full year. “I don’t this is a storm that’s going to blow over in a
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