DC

Unlike last August which was totally lacking product after Sony’s Bullet Train, the month looks to keep chugging even as the WGA and SAG-AFTRA strikes continue and many talent not permitted to promote. Recently, Warner Bros/DC’s Blue Beetle hit tracking with an eye on a $30M start when it opens on Aug. 18. With Blue
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Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys. That sequel’s launch just prior to July 4, 2015 left a lot of methane in the air with $42.4M in its
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Despite all the noise The Flash star Ezra Miller created off set in the last year including a burglary charge for stealing liquor from a neighbor’s house in Vermont, among myriad other tabloid headlines, filmmakers who’ve worked with the actor vouch they’re the consummate professional with zero melodrama on set. Daliland filmmaker Mary Harron told
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When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up
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Friday afternoon: We’re hearing that New Line’s Shazam! Fury of the Gods is currently on its way to an $11M Friday, inclusive of last night’s $3.4M, for what’s looking like a $30M opening at 4,071 theaters. The pic cost $125M before P&A, $25M more than the first Shazam! While that’s nothing to scream “Shazam!” about
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New Line’s Covid-delayed DC sequel Shazam! Fury of the Gods finally will hit theaters this weekend in 77 offshore territories and the U.S. with a global outlook between $80M-$85M — $35M of that coming from domestic. The David F. Sandberg-directed pic previously had been scheduled to open on December 21, but Warner Bros decided in
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Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
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Warner Bros/DC’s Wonder Woman 1984, as expected, landed at No. 2 in its China debut on Friday, coming in behind local actioner The Rescue. The Patty Jenkins-helmed sequel to 2017’s Wonder Woman grossed an estimated RMB 44.2M ($7M, including sneaks). This portends a weekend in the mid $20M range for the Middle Kingdom, lower than
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Warner Bros/DC’s Wonder Woman 1984 begins offshore rollout today in such markets as Indonesia, Portugal and the UK — though on a very limited basis in the latter where London cinemas have been re-shuterred as the capital moves into a Tier 3 Covid lockdown. In total, there will be 32 markets open through Friday with
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There’s never one reason why a movie fails at the box office, but several, and titling the Harley Quinn Warner Bros. Suicide Squad spinoff Birds of Prey and the Fantabulous Emancipation of One Harley Quinn wasn’t really the wisest movie marketing decision of late. Birds of Prey opened to $33M at the domestic box office
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Warner Bros’ Birds Of Prey took flight across 51 overseas markets on Wednesday and Thursday, grossing $7.8M at the international box office through its first two days. The Cathy Yan-directed DC spinoff has opened to No. 1 in its major plays, save Korea and Italy where local titles are dominating. Ahead of the weekend, the
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