Despite all the noise The Flash star Ezra Miller created off set in the last year including a burglary charge for stealing liquor from a neighbor’s house in Vermont, among myriad other tabloid headlines, filmmakers who’ve worked with the actor vouch they’re the consummate professional with zero melodrama on set. Daliland filmmaker Mary Harron told
Crew Call Podcast
After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
In the latest episode of Crew Call, we talk to Dungeons & Dragons: Honor Among Thieves directors, scribes and EPs John Francis Daley and Jonathan Goldstein about the vision they sold to Paramount to make the dark and dingy world of the role playing game, not just fun, but funnier. And even more so, a
There’s a great axiom when it comes to success in Hollywood; a saying which remains true through good times and bad, even at a moment when streaming is stepping on theatrical’s feet, and that is “Talent rules.” Such talent is Russian filmmaker Ilya Naishuller whose Universal action movie Nobody literally turns the genre on its head.
Some movies are willed into existence, some organically happen by chance, and some are severely birthed and Oscar-nominated filmmaker Terry Gilliam has been through it all, especially in the two-decade-plus production of his cherished The Man Who Killed Don Quixote. His first go-round with the project starred Johnny Depp but was besieged by financial and production problems