For Sean Baker, it’s theatrical or bust. Paychecks from streamers can be tantalized in front of him, but when it comes to his original work, not only is about making works for the cinema, but shooting on celluloid, too. “We shouldn’t abandon the medium which created this artform,” Baker tells us on this episode of
Crew Call
EXCLUSIVE: Following its surprise three Golden Globe wins Sunday including Best Feature – Drama, The Brutalist from Brady Corbet and A24 is heading into the top 15 regional markets after playing in nine theaters last weekend. The Adrien Brody-starring movie, which saw the actor win his first Golden Globe last night for Best Actor –
It’s a death-defying act to split one property into two movies. Warner Bros did it with the greatest of ease on the final film adaptation of Harry Potter, 2010 and 2011’s Deathly Hallows, which combined grossed $2.3 billion worldwide. However, Lionsgate ran into a buzz saw and tried it with the final Divergent book, Allegiant,
Despite all the noise The Flash star Ezra Miller created off set in the last year including a burglary charge for stealing liquor from a neighbor’s house in Vermont, among myriad other tabloid headlines, filmmakers who’ve worked with the actor vouch they’re the consummate professional with zero melodrama on set. Daliland filmmaker Mary Harron told
After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
In the latest episode of Crew Call, we talk to Dungeons & Dragons: Honor Among Thieves directors, scribes and EPs John Francis Daley and Jonathan Goldstein about the vision they sold to Paramount to make the dark and dingy world of the role playing game, not just fun, but funnier. And even more so, a