The Academy of Motion Picture Arts and Sciences certainly isn’t short on documentarians. Atop its existing 400 or so documentary branch members, the Academy in July invited almost 100 additional doc-makers to join. Despite some internal concern that a few invitees might need help with the dues, now $450 a year, it seems safe to
Commentary
Two and a half cheers for the Landmark Theatres in West Los Angeles. The parking escalators have been broken for weeks. Those purple and black staff outfits are a bit somber. And $15 dollars seems high for an hour and 35 minutes of Linda Ronstadt: The Sound Of My Voice, as delightful as it is.
Miss Saigon in 2019 is not the Miss Saigon I remember from 1997. With music by Claude-Michel Schönberg and lyrics by Richard Maltby Jr. and Alain Boublil, Miss Saigon is inspired by the opera Madame Butterfly and revered as a theater classic since it made its London debut in 1989. It later premiered on Broadway in 1991 to wild
When will the Sleeping Giant wake up? In the second half of every year for the past 10, the grown-up audience has opened its eyes, stretched its legs and gone to the movies in numbers big enough to make a certified hit of at least one non-animated, not-too-scary, non-sequel drama. If ascent to the year-end