Tyne Daly and Liev Schreiber will star in a new Broadway production next February of John Patrick Shanley’s Tony Award & Pulitzer Prize-winning play Doubt: A Parable, with direction by Scott Ellis. The Roundabout Theatre Company production will begin performances in February 2024 at the American Airlines Theatre. Exact dates, remaining cast members, and design
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Julie Benko, who has built a devoted following as the Funny Girl understudy and alternate Fanny Brice, will originate her first Broadway role this fall in the new musical Harmony by by Barry Manilow and Bruce Sussman. Benko will play the role of Ruth, producers Ken Davenport, Sandi Moran and Garry Kief announced today. The
Several times in recent years, Sony has used the Cannes Film Festival to promote a key upcoming title, despite the movies not officially being involved in the event — see Hotel Transylvania 3: Summer Vacation in 2018, 2017’s The Emoji Movie and 2016’s The Angry Birds Movie. This year, the marketing team pulled out the
Last night at the world premiere of Spider-Man: Across the Spider-Verse there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: the $100M budgeted sequel to the Oscar winning animated movie, Spider-Man: Into the Spider-Verse, was done; having completed post-production literally just ten days ago after a five-year
In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
EXCLUSIVE: The Will Rogers Motion Picture Pioneers Foundation has created the Erik Lomis Leadership Award, which will be bestowed at the charity’s 30th Annual Film Row Charity Golf Classic. Modeled after the Payne Stewart Award given annually by the PGA Tour, which is given to a player whose values align with the character, charity, and
Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
Refresh for latest…: Disney’s live-action take on The Little Mermaid is doing swimmingly at the domestic box office, with a three-day opening of $95.5M and a four-day projection of $117.5M. Factoring in the international box office bow of $68.3M, that makes for an estimated $163.8M global debut through Sunday. The offshore launch is lower than
A24’s Julia Louis-Dreyfus-starrer You Hurt My Feelings will top an estimated $1.7 million in limited nationwide release for the four-day holiday weekend, at the high end of expectations on 912 screens. That puts it at no. 8 at a domestic box office where Little Mermaid is making all the waves. Breakdown: Friday – $474k; Sat.
Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide. The Fast & Furious franchise had, earlier this week, crossed $7B globally while the
EXCLUSIVE, late Thursday PM: Sources are telling us that Disney’s Rob Marshall directed The Little Mermaid is singing some high notes tonight of $10M+ in previews. Should that figure exceed $10.8M it will rep the 6th highest preview performance among PG and G rated titles in motion picture history. Tracking pegged the Halle Bailey movie
“It was a contributor to the specialty box office, and I hope it will be again,” says Laemmle CEO Greg Laemmle of MoviePass, the subscription service that unsurprisingly went bankrupt in early 2020 after offering a movie a day for ten bucks a month. A co-founder Stacy Spikes, who was pushed out amid strategic differences
The arthouse box office hasn’t recovered quickly post-Covid, but one of the oases for the sector, even by pre-pandemic benchmarks, has always been a Wes Anderson movie. This summer we have his latest all-star absurdist comedy, Asteroid City, which just premiered at Cannes, which begins its limited run on June 16. How big has Anderson
Universal’s Fast & Furious franchise has reached a new milestone, spinning past $7B at the global box office. Getting there, it becomes the fifth series of films to the mark, doing so with 11 titles. It’s currently the No. 5 franchise of all time, and is tied with Warner Bros’ Wizarding World for the fewest
UK-based global theater chain and parent of Regal Cinemas said overnight it expects to emerge from Chapter 11 in July. The news comes as nearly 100% of its legacy lenders agreed to an amended and restated restructuring agreement and backstop that have been months in the making. There had been some holdouts. The giant exhibitor
Broadway’s box office was up a bit during the final week of the 2022-23 season, with only a few productions reporting slips from the previous week, including two – Funny Girl and Grey House – that saw temporary declines due to Covid cases within their casts. Last week, Funny Girl announced that Lea Michele had
Imax chief executive Rich Gelfond said he’s never seen China let as many U.S. titles into country as early as they have this year. After a slowdown in the pace that caused some angst in Hollywood, there’s been a steady stream of releases — although not necessarily a surge in ticket sales — with The
Disney’s return to live-action takes of their animated vault in the fullest theatrical form happens this weekend with Rob Marshall’s The Little Mermaid which is eyeing a $180M worldwide start. The majority of that number will be made stateside with $120M for the four-day Memorial Day weekend holiday, and around $100M over three days. At
Broadway box office for the 2022-23 season – the first full season since the industry’s return from the Covid closure – reached $1,577,586,897, a big increase over the last two hard-hit seasons but still about 14% lower than the pre-pandemic high of $1.8 billion. Figures released today by the Broadway League indicate that total attendance
Arina Sakoun is taking Hollywood by storm in the indie film producing arena. Moving to the United States from Russia, Arina is pursuing her passion of becoming an A-List Hollywood producer. Her most recent project “The Ballad of Sadie LeBelle†is starting it’s festival run soon, and it sure to be a smash hit. Directed
Matt Johnson’s film BlackBerry about the rise and fall of the world’s first smartphone passed $1.7 million its second week out with an estimated three-day gross of $525k in 595 theaters. The Canadian number — $250k from 200 theaters — was only a 13% drop from opening weekend. Stateside, the indie crossed $1 million with a
As Sanctuary, Zachary Wigon’s twisted tale of a dominatrix and her wealthy client, opens in NY and LA, David Lancaster of producer Rumble Films recalls a speedy 18-day shoot on a custom-made set in Brownsville, Brooklyn in late summer of 2021. It was Covid, so not the easiest time for indie financing. It world premiered
Universal’s Fast X, in what was an early start for previews for the franchise at 2 p.m., sparked to $7.5 million in Thursday numbers. Forecasts see the Louis Leterrier-directed tenthquel at a $60 million-plus stateside frame this weekend, with a greater amount of gas abroad at $235 million. How last night stacks up: the previous
Fueled by the strong performance of John Wick: Chapter 4, Lionsgate’s John Wick franchise has crossed the $1B mark at the worldwide box office. The Keanu Reeves-led series’ total take to date now stands at $1,011,319,297 global. Of the quartet, Chapter 4 is the highest-grossing, with $425.3M and counting. Next up is 2019’s John Wick:
IMAX is ramping up its operations in France, as well as expanding its longstanding relationship with Kinepolis in Europe and North America. In France, IMAX will aim to nearly triple the number of its systems from the 22 currently in operation to more than 60. One of those will be in partnership with Belgian exhibitor
Universal’s Fast X has started its engines overseas, opening notably in China and Korea on Wednesday and clocking $18.4M from just those two markets. The Louis Leterrier-directed franchise instalment got off to a strong start in China, taking an estimated $17.4M today, including $2.7M from midnight shows. It’s dominating the market with 84% of the
EXCLUSIVE: Briarcliff Entertainment has acquired U.S. distribution rights to Christian Gudegast’s action thriller sequel, Den of Thieves 2: Pantera which stars Gerard Butler and O’Shea Jackson Jr. reprising their respective roles of “Big Nick” and “Donnie”. A wide theatrical release is planned for Q4 of 2024. Gudegast also wrote the screenplay for the production which
While it might seem that Fast X has run out of gas in the states, it’s totally turbo boasted overseas as the tenth installment in the Universal franchise is eyeing a an offshore start of $235M to 60M+ domestic. That will get Fast X to $295M worldwide, making it the third highest global start for
Tony nominations seem to have given a box office boost to at least some of Broadway’s shows, with Some Like It Hot, Kimberly Akimbo, Parade and Leopoldstadt reporting noticeable bumps for the week ending May 14. The biggest improvement, though, was for a musical that scored zero nominations: Bob Fosse’s Dancin’ grossed $678,147 in its
Refresh for latest…: After crossing the $300M mark globally through Monday last week, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has thrust to another milestone. The James Gunn-directed threequel handily crossed the half a billion mark in the sophomore frame and now sits at an estimated $528.8M global through Sunday. Of that, $213.2M is from
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