This week, Justin Chon’s Ms. Purple will make its Los Angeles debut at the Nuart, attempting to gain some traction when it expands to New York and other markets in the following weeks. The film premiered at Sundance to critical acclaim and was acquired by Oscilloscope shortly after. The intimate storytelling of Ms. Purple, which tells the
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Pennywise will be handing out balloons in 75 overseas markets as well as the U.S. and Canada this weekend, a nearly full day-and-date release versus 2017’s staggered rollout on the original. All in, industry sources are seeing a global debut that potentially scores the worldwide opening record for a horror pic with $200M+, besting the
Updated tracking has New Line’s It: Chapter Two opening between $90M-$100M, just behind the previous chapter’s all-time horror and September debut record of $123.4M. However, Fandango reports that advance ticket sales to the Stephen King sequel are their best ever for a horror pic, outstripping It, Jordan Peele’s Us, last year’s Halloween and The Nun. Best demos for It: Chapter Two are younger males
Broadway box office was up a bit last week, despite being down a show from the previous week. With a very slight 2.4% rise, the 23 productions grossed a combined $28,652,877, with attendance of 227,568 holding steady. The roster, thinned from the summertime line-up with The Cher Show, King Kong and Pretty Woman not-so-long gone,
EXCLUSIVE: Before Hurricane Dorian reaches landfall sometime tonight, some theaters on the central east coasts of Florida have already boarded up including a slew of AMC, Regal and Cinemark multiplexes. Most of these sites aren’t expected to re-open until Tuesday and Wednesday, in time for New Line’s It: Chapter Two which starts previews on Thursday night. Weather
3RD UPDATE/WRITETHRU SUNDAY AM: After Friday posts Those distributors complaining that they can’t find a release date on the calendar can just shush. Why? Because you didn’t book any wide releases over Labor Day weekend! Distribution often preaches that movies are a 52-weekend business-a-year, and for the second time since 2017, the Labor Day stretch is
IFC Films’ Official Secrets starring Keira Knightley and Ralph Fiennes is tracking atop the specialty box office Labor Day weekend with a solid start in four theaters. The Sundance ’19 premiere has a three-day estimate of $80,046 in four New York and Los Angeles theaters, averaging $18,061. Directed by Gavin Hood, the title’s launch is one of
Refresh for latest…: Universal’s Fast & Furious Presents: Hobbs & Shaw continued to flex its muscles at the top of the international box office this weekend, smack-talking its way to another $39.1M in 69 markets. The overseas cume topped $500M in the session, hitting $525.3M as it approaches $700M global. The current worldwide cume is
People left their homes and went to the movies this summer, shelling out what is expected to be $4.868 billion by Monday, +1% from the same period last year, which started at the end of April and lasted through Labor Day, and a few dollars shy of 2013’s $4.872B all-time record, per Comscore. True, close
Specialty film’s gravitational pull is anchored at the Telluride Film Festival this holiday weekend, while a moderate number of new limited releases begin their theatrical rollouts. IFC Films bio-drama Official Secrets starring Keira Knightley and Ralph Fiennes opens New York and L.A. Set against the lead-up to the U.S. invasion of Iraq, the Sundance premiere
Those distributors who might complain that they can’t find a date for their non-tentpole on the release calendar can just quiet down because you didn’t book anything this weekend at the Labor Day box office. True, no major studio wants to put a mid-budget pic before New Line’s It: Chapter Two which will take all the
Lionsgate and Millennium have another meat and potatoes box office feast on their hands in the wake of Angel Has Fallen overperforming this past weekend to a $21.3M opening with Sylvester Stallone’s Rambo: Last Blood set to open between $21M-$24M on Sept. 20. Longline for Last Blood directed by Adrian Grunberg, and written by Stallone and Matthew Cirulnick is “Rambo must
Typically when it comes to raising the profile on a major studio horror film, studio’s will rest on the standard online trailer, or some sort of social media stunt. However, Warner Bros. has amassed around 35 global promotional partners for New Line’s Sept. 6 tentpole It: Chapter Two, which is arguably unprecedented for a R-rated
EXCLUSIVE: Focus Features is adding the Participant Media Todd Haynes feature Dark Waters to the late fall frame with a limited release on the Friday before Thanksgiving, Nov. 22. The pic, inspired by a true story, follows a tenacious attorney (Mark Ruffalo) who uncovers a dark secret that connects a growing number of unexplained deaths due
After announcing their U.S. and U.K. limited theatrical-streaming release plans for Martin Scorsese’s $160M mob opus The Irishman this morning, Netflix has announced the release dates for their entire awards season slate including Steven Soderbergh’s The Laundromat, the Eddie Murphy pic Dolemite Is My Name, David Michod’s The King, Wash Westmoreland’s Earthquake Bird, Noah Baumbach’s drama Marriage Story, Sergo
AMC’s Bob Lenihan Departing Theater Chain As President Of Programming – Deadline Click to Skip Ad Closing in… You will be redirected back to your article in seconds Skip to main content August 26, 2019 3:36pm EXCLUSIVE: We are hearing that that AMC’s U.S. President of Programming is leaving the company after a decade’s run.
While everyone is expecting New Line’s It: Chapter 2 to tee us off into what is expected to be a lucrative fall-holiday season with at least a $90 million-$110 million start, one shocker that hit tracking last Thursday: STX Entertainment’s Jennifer Lopez–Constance Wu stripper crime drama came on with a hot $24M-$26M projection. Typically we post projections
Disney announced at the D23 Expo on Saturday that it has set May 6, 2022 as the release date for Black Panther 2. Director Ryan Coolger, who returns to helm and write the sequel, revealed the news onstage in Anaheim alongside Marvel’s Kevin Feige. Coogler’s return was confirmed in October as details of the sequel
Brittany Runs a Marathon jumps into five New York and Los Angeles theaters this weekend ahead of a steady sprint nationwide in September. Amazon Studios picked up the title, starring Jillian Bell, following its Sundance premiere earlier this year. Fellow Sundancer Give Me Liberty from the festival’s Next section heads to select locations via Music
Universal’s Fast & Furious Presents: Hobbs & Shaw muscled into China on Friday, grossing an estimated $34.5M (RMB 245M). The figures do not include Thursday midnights and rep the 2nd best debut of 2019 for an imported movie, behind only Avengers: Endgame. Overall, this is the No. 7 best opening day ever for a foreign
UPDATED, 11:03 AM: The plane will be arriving two weeks earlier. Sony said today that Blumhouse’s Fantasy Island has moved to a February 14 release date, vacating its slated February 28 bow. The creepshow is arriving on the busy Valentine’s Day frame and now is set to face four wid wide openers: Fox’s The King’s Man, Paramount’s Sonic the Hedgehog, Universal’s The
EXCLUSIVE: The first weekend of November is a magical place for limited releases, when a slew of Oscar contenders have launched. It’s when Open Road debuted Spotlight in 2015 which went on to win Best Picture, and it’s also the release date for a number of other Academy Award nominees such as A24’s Lady Bird (2017, 5 noms),
UPDATED, 12:12 PM: Unijversal said today that its Blumhouse remake of The Invisible Man will arrive on February 28, two weeks earlier that planned. It was set to face off against Warner Bros’ Godzilla vs. Kong and now faces United Artists’ hidden-camera prank pic Bad Trip. The news comes about an hour after Sony announced that its Blumhouse horror pic Fantasy
Fox Searchlight went after whatever remaining 18-34 demo was out there this summer with the launch of its black comedy horror thriller Ready or Not yesterday. It grossed an estimated $1.9 million at 2,244 locations (including $730,0000 in Tuesday previews) for Wednesday’s No. 2 spot. ComScore shows that by Friday the number of colleges remaining
Focus Features has a secret weapon on the fall release schedule and that’s Downton Abbey on Sept. 20. While everyone is buzzing about Warner Bros.’ screaming in the start of fall with New Line’s It: Chapter Two, Downton Abbey could very well see a huge turnout of older female moviegoers. The pic’s first day of advance sales on
Universal has set a January 15, 2021 release date for 355, the ensemble spy thriller that came together during last year’s Cannes Film Festival. The pic directed and co-written by Simon Kinberg stars Jessica Chastain, Lupita Nyong’o, Penélope Cruz, Diane Kruger and Fan Bingbing. The hope is to launch a franchise based on the idea
No shocker here as Disney has moved Fox’s Joe Wright movie The Woman in the Window out of Oct. 4 to May 15, 2020. This was to be expected as the film has to undergo reshoots. Already, Disney has Fox Searchlight’s Lucy in the Sky on Oct. 4. Meanwhile, Cruella, a live-action spinoff of the classic Disney animated toon
Spider-Man: Far From Home is getting a new scene in time for the long Labor Day weekend. Today Sony announced, a new extended cut of the film will be re-released in theaters in the United States and Canada on Thursday, August 29. The revamped version features four minutes of a never-before-seen action sequence, and will
King Kong, Pretty Woman: The Musical and The Cher Show took their final bows on Broadway last week, all three bucking a late summer downward box office trend with some last-chance ticket-buyers. In general, though, Broadway box office was down about 5% from the previous week, with one fewer show on the roster and a
Soul Train, the iconic music variety series created and hosted by Don Cornelius beginning in 1971 that showcased black musicians both established and up-and-coming, could make Broadway a stop on its long-running journey. A musical based on the show, with a creative team that includes three of the leading black women working in theater today,