Lionsgate/Media Rights Capital’s Knives Out arrived on tracking this morning with estimates ranging from $22M-$25M over the Wednesday through Sunday Thanksgiving period. While that number isn’t anything to jump up and down about for a Thanksgiving release, there’s a lot of goodwill here in the Rian Johnson whodunit’s favor, notably its 98% certified fresh score
BoxOffice
‘Paranormal Activity’ Sequel & ‘My Little Pony’ Pic Hop On Paramount’s 2021 Schedule – Deadline Click to Skip Ad Closing in… You will be redirected back to your article in seconds Skip to main content November 7, 2019 2:01pm Paramount has dated their next Paranormal Activity movie for March 19, 2021 while a Hasbro My Little
Last weekend didn’t start the fire at the November box office after Paramount/Skydance Media/Fox’s mechanical breakdown with Terminator: Dark Fate, which is set to lose $130 million off an estimated combined $325M production and global P&A cost and $29M stateside opening. This weekend, Warner Bros in a rare move for its genre product opens Doctor
Comscore has named board member Bill Livek as its chief executive officer, replacing the interim CEO Dale Fuller. It also reported lower third-quarter revenue, but its net loss that was far less than Q3 last year. The CEO move comes as the show business data-measurement corporation is facing headwinds. It has seen several high-profile exec
Further evidence that Disney’s Frozen II is going to be a gargantuan hit at the November box office: Both Fandango and Atom Tickets have announced that the first day presales for the Chris Buck-Jennifer Lee-directed sequel have eclipsed those for all other animated films. While tracking has Frozen II opening to $100M over the weekend of
Fox Searchlight has announced that its pre-TIFF acquisition, Armando Ianucci’s The Personal History of David Copperfield, will be opening on May 8. Pic reps Iannucci’s third outing as director, after directing the Oscar-nominated In The Loop and The Death of Stalin, and also created the award-winning HBO series Veep. Iannucci adapted the film with frequent collaborator Simon Blackwell from the Charles
Refresh for latest…: Paramount/Skydance/Fox’s Terminator: Dark Fate found little salvation in its wider offshore rollout this weekend. Handled overseas by Disney, it came in below pre-weekend projections, grossing $72.9M in 48 material markets (including a soft $28M from China where Tencent Pictures is handling). Along with the early releases and holds from last session, the
All was fairly quiet on the specialty box office front for the first weekend of November when it came to new releases, which gave the opportunity for Neon’s critically-acclaimed Parasite to flourish even more and the Fox Searchlight’s World War II satire Jojo Rabbit to shine brighter. However, things didn’t turn out so well for this weekend’s
As titles like Jojo Rabbit, Parasite and Judy continue to slay the specialty box office and gain awards season momentum, more titles are throwing their hats into the ring. This week, the Mihal Brezis & Oded Binnun-directed The Etruscan Smile starring award-winning actor Brian Cox and produced by three-time Oscar winner Arthur Cohn. Documentary Gay Chorus Deep South will be in
Paramount/Skydance Media/Fox’s Terminator: Dark Fate drew $2.35M from 7 p.m. shows on Halloween night. Last night we were hearing early estimates between $1.5M-$1.7M, so this definitely is an improvement on that. That’s on par with the Tuesday night previews of its previous chapter, Terminator: Genisys which made $2.3M back on June 30, 2015. In fact it is pretty
Sony said Friday that the sequel to its Oscar-winning animated pic Spider-Man: Into The Spider-Verse will hit theaters on April 8, 2022. The studio also said that another Sony Pictures Animation project, the musical adventure tale Vivo with original songs from Lin-Manuel Miranda, is being pushed back five months to April 2021. The original Marvel/Columbia
After amassing close to $3M from Friends 25th: The One With the Anniversary back in September, Fathom Events and Warner Bros. TV are bringing the hit TV series back to the big screen for a two nights with Friendsgiving on Nov. 24 at 7PM and Nov. 25 at 4PM. Each day will feature four Friends
Disney’s Frozen 2 hit tracking this morning at a very loud level with females and it’s poised to do $100M, maybe even more when it hits theaters on Nov. 22. That’s the pre-Thanksgiving weekend with Turkey day falling on Nov. 28 this year. While no animated film outside of summer has ever opened to $100M
This weekend, Paramount/Skydance Media/Fox’s Terminator: Dark Fate opens in what is hoped as a complete re-invigoration of the franchise, bringing the pic back to its original James Cameron roots. After the PG-13 rated Terminator: Genisys four years ago registered the series’ lowest grosses stateside with $89.8M since the original 1984 pic’s $38.3M and was critically slammed at 27%
Frozen II, the sequel to the highest-grossing animated film of all time, has secured a day-and-date China release set for November 22. A new Chinese one-sheet was posted on Disney’s official Weibo account today (check it out below). The studio begins offshore rollout on November 20 with domestic, and now China, starting two days later.
Sony’s reboot of Charlie’s Angels starring Kristen Stewart, Naomi Scott, and Ella Balinska has landed a China release date of Nov. 15 which is timed exactly with its domestic release. While the pic was originally scheduled to go during the first weekend in November, which is where the first 2000 movie bowed, Terminator: Dark Fate elbowed its way
This past weekend put Sony over the $1 billion mark at the domestic B.O. for the year,. That’s thanks to the $390.5M success of Spider-Man: Far From Home and Quentin Tarantino’s Once Upon a Time in Hollywood, which crossed $140M this past weekend (with $140.4M) thanks to its re-release with four new scenes. Both pics made Sony
Nadav Lapid’s Synonyms found the right words this weekend to have a solid opening in two locations, bringing in an estimated $19,070. The acclaimed French-Israeli film about cultural identity played to sold-out screenings in New York, setting itself up for a nationwide expansion to Los Angeles, Toronto, Boston, Washington DC, Philadelphia, Seattle, San Francisco, and Portland, with
Refresh for latest…: This was a busy weekend at the international box office with the sophomore session of Disney’s Maleficent: Mistress Of Evil seeing a 43% drop to lead studio pics at $64.3M in 100% of its offshore footprint. Behind the sorceress, Warner Bros/Village Roadshow/Bron Studios’ Joker continued its laugh-a-minute run to add $47.8M (just
After a strong opening for Pain and Glory, Sony Pictures Classics will throw another title into the specialty box office mix this weekend with the Ira Sachs drama Frankie starring Isabelle Huppert. The actress is certainly a draw when it comes to prestigious awards and there’s hope that her name will bring in audiences to see Frankie. The film
Rather than go two weeks after Easter 2021 on April 16, Warner Bros. is moving up their Tim Story-directed Tom & Jerry movie to Christmas 2020, specifically Wednesday Dec. 23. Pic will go up against DreamWorks Animation/Universal’s The Croods 2. Then, on Christmas, comes Universal’s News of the World and an untitled Paramount/Skydance Media movie. Tom &
It was a small night for previews, but it’s a small weekend for wide entries with two thrifty budgeted movies. Sony/Screen Gems’ Deon Taylor Black and Blue starring 007’s Naomie Harris as a rookie New Orleans police officer who witnesses her fellow cops committing a murder drew $675K at 1,962 venues that began at 7PM.
EXCLUSIVE: Brazil’s official Oscar entry, Invisible Life will open Dec. 20 via Amazon Studios. The tropical melodrama stars Carol Duarte, Julia Stockler and Fernanda Montenegro and is set in Rio de Janeiro, 1950. Eurídice and Guida are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream:
James Mangold’s Ford v. Ferrari which is winning over crowds and critics in early screenings since its world premiere at the Telluride Film Festival is looking at a solid start in the $23M-$30M range in early tracking when the Disney–Fox pic opens on Nov. 15. The movie, which stars Matt Damon as car designer Carroll Shelby and
Paramount Pictures is dealing with its Monster Problems, moving the release of the coming-of-age tale starring Dylan O’Brien back by six weeks. The pic about a young man living in a post-apocalyptic world overrun by monsters had been set for March 6 but now will unspool April 17. We hear the move was made because
There was always talks that Quentin Tarantino would add more scenes to his ninth movie Once Upon a Time in Hollywood following its premiere at Cannes, finally, here it is, a new cut, just in time for awards season that Sony will re-release in around 1,500 theaters on Friday. Four never-before-scenes will be added, book-ending
After going on sale last night during the halftime of ESPN’s Monday Night Football, Disney’s Star Wars: The Rise of Skywalker has turned out to be the second first day bestseller for mobile ticket retailer Atom Tickets, behind this year’s Avengers: Endgame. That movie literally shut down many exhibitors’ online ticket sites during their first day sales
EXCLUSIVE: Another casualty of China’s crackdown on potentially sensitive local films this past summer has been given a lifeline. Derek Tsang’s Better Days will release this Friday in the Middle Kingdom after being okayed just this week. Well Go USA has the movie domestically and was forced to postpone the release this summer when Better
Declarations of “She’s Got Legs” might be premature, but Broadway’s Tina: The Tina Turner Musical is already strutting to $1M+ at the weekly box office, becoming one of the season’s most promising productions. In its second week of previews, Tina was a sell-out at the Lunt-Fontanne Theatre, grossing $1,386,360 for seven previews. With an average
Refresh for latest…: Disney’s Maleficent: Mistress Of Evil came within, but on the low end, of pre-weekend industry projections with $117M at the international box office. Counting the disappointing domestic opening of $36M, the global debut is $153M. Heading into the launch session, the industry was seeing a $115M-$125M overseas start for the Angelina Jolie
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