Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam. Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews (100% on Rotten Tomatoes,
BoxOffice
EXCLUSIVE: Momentum Pictures has acquired distribution rights in the US, Canada, and UK to Soft & Quiet, the debut feature from filmmaker Beth de Araújo which made its world premiere at SXSW. The film, produced by Blumhouse and Second Grade Teacher, earned gripping reviews out the Austin, TX event, near 90%. The pic will be released
New Line’s reboot of House Party, which was originally supposed to go to HBO Max, but was given a theatrical release, will now open on Jan. 13, 2023 rather than Dec. 9, 2022. Bad news: That shifts one wide release out this year, however, two weekends before Christmas was a desert last year with Steven
Exhibition trade group the National Association of Theatre Owners announced Monday that its 24-year CEO and President John Fithian was retiring. While that’s not as long as the late Motion Picture Association boss Jack Valenti’s 38-year run at that trade org, who left behind his own legendary streak with the creation of the ratings system, Fithian
After more than a two decades run as the Boss of trade org the National Association of Theatre Owners, John Fithian is retiring, effective May 1, 2023. Technically, Fithian counts 30 years working for NATO, having begun working with the org as a former attorney at Washington DC’s Patton Boggs, LLC. NATO’s Executive Board has
Theaters on London’s West End dimmed their lights Wednesday evening in memory of the late Angela Lansbury who passed away Tuesday at age 96. The London-born actress last appeared on the West End in 2014’s Blithe Spirit at the Gielgud Theatre, in which she reprised her Tony-winning role as Madame Arcati. She won the Best
Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. From Paramount Players and Temple Hill, the movie has seen some
The over-under on Universal/Blumhouse/Miramax’s Halloween Kills for its debut weekend is $50 million at 3,800 theaters. Some even see it possibly touching $60M, and that’s with a theatrical day-and-date on Peacock. That opening alone is what all films have been averaging at the box office over the last three weekends: $55M. In 2021, Part 2
Specialty distributor 3388 Films has set an October 28 U.S. theatrical release for Vietnamese comedy A Hundred Billion Key. The movie will have its North American premiere at the Newport Beach Film Festival a week prior on October 19. Check out the trailer below. From actor-turned-director Võ Thanh Hoà, Chìa Khoá Trăm Tỷ (A Hundred Billion Key)
Warner Bros has shifted the release date by two weeks next year for Dune: Part Two going from Nov. 17 to Nov. 3 and still hanging onto Imax screens for the Denis Villeneuve directed sequel. The news comes as Disney/Marvel’s Blade evacuates the first weekend of November for Sept. 2024. Dune 2 stands unopposed. A
Rian Johnson’s murder-mystery sequel Glass Onion: A Knives Out Mystery will receive a theatrical UK release after Netflix struck deals with Vue International and Cineworld. The film will screen at select Vue and Cineworld cinemas across the UK between November 23-29 before hitting the streamer on December 23. Discussions are ongoing for the film to
Colm Bairéad’s The Quiet Girl, which is Ireland’s entry in the Best International Film Oscar race this year, has punched through the €1m ($971,000) box office ceiling in a record-breaking performance for an Irish-language feature. “We are truly humbled by the manner in which audiences in Ireland and the UK have embraced our film. To
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that more adult-skewing fare is having a much harder time now. Nowhere was this more true than with David O. Russell’s Amsterdam, which rivals believed had a shot at opening to $12 million-$15 million this past weekend based on the
Universal/Working Title’s Ticket to Paradise, the latest big-screen collaboration for Julia Roberts and George Clooney, has led the duo to a new milestone. Five films in which the mega-stars worked together have now grossed a combined $1B at the global box office. Those titles are 2001’s Ocean’s Eleven ($451.5M), 2003’s Confessions of a Dangerous Mind
Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date. The overseas increase is quite literally gobsmacking
Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic. Riding strong reviews, the Cate Blanchett-starrer by Todd Field was no. 1 in three
Sony Pictures’ Where the Crawdads Sing has crossed the $90 million mark at the domestic box office, showing proof that it’s not just tentpoles that rule the roost on the big screen. The pic hit the mark on its 82nd day of release, Tuesday, after opening on July 15. The movie based on the Delia
EXCLUSIVE: One of the most honored documentaries of the year is heading to the very big screen. National Geographic Documentary Films and Neon announced today they are bringing Fire of Love to select Imax locations on October 16 and 17, including New York, Los Angeles, San Francisco, Boston, Chicago, and Washington D.C. The film, directed
Universal has dated a brand new M. Night Shyamalan thriller on the theatrical release calendar for April 5, 2024. No further details were revealed. This is the weekend after Easter. No other wide releases are schedule on the weekend for the new Shyamalan movie. This is Shyamalan’s sixth movie with Universal. The four which they’ve
FRIDAY MIDDAY UPDATE: Paramount has everything to be happy about heading into the weekend as their horror movie Smile is coming on strong with $3.85M today for what is now looking at a $13.1M second frame at 3,659 theaters, -42% – spectacular for a horror movie considering they typically drop 60% or more in weekend
Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Allice Tully Hall at the New York Film Festival. A 97%
Predictions are always a hazardous thing. And I truly hope this one is wrong. But it sure looks like the movie box office, disastrously low in September, will be stuck on the bottom again this month. September is rarely a great month for ticket sales, but last month is better left undiscussed. Putting aside the
Lionsgate has just dated three theatrical release for next year: the Sebastian Maniscalco inspired biopic About My Father starring the comedian and Robert De Niro for Memorial Day weekend May 26; the untitled Adele Lim comedy on June 23 and The Expendables 4 for Sept. 22. About My Father will open up against Disney’s The
UPDATED with quotes from AMC & Cineworld CEOs: This is a big deal: For the first time, all three big exhibitors are on board with releasing a major Netflix title — that being the Rian Johnson-directed sequel Glass Onion: A Knives Out Mystery, the franchise that the streamer snapped up for nearly $400M as Deadline
Production has wrapped on The Blind, a biopic of Duck Dynasty patriarch Phil Robertson with a theatrical release date slated for Sept. 22, 2023 as distribution plans are being finalized. Set in the 1960s Deep South and shot on location in Louisiana, The Blind shares never-before-revealed aspects of Robertson’s life as he seeks to conquer
Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale
Broadway held fairly steady at the box office last week, with recent arrivals Leopoldstadt and The Piano Lesson leading the pack of fall newcomers with grosses of $758,988 and $704,051, respectively. In all, Broadway’s 25 current shows took in $25,208,583 for the week ending Oct. 2, a slight 4% slip from the previous week, possibly
A Pulitzer Prize can be a burden, one must assume, trumpeting expectations and pumping reputations from a distance. Martyna Majok‘s Cost of Living won the trophy in 2018, and that victory has been mentioned often in the lead-up to the play’s opening on Broadway tonight in a Manhattan Theatre Club production at the Samuel J.
UPDATE, writethru: There was a varied offering at the international box office this weekend with newcomers from Hollywood and offshore markets, as well as notable holds, as we inch closer to full-on action later in October. Big overseas entries included Mani Ratnam’s historical epic Ponniyin Selvan: Part 1 in a strong debut in India and
Sarigama Cinemas’ Ponniyin Selvan: Part One crashed the weekend box office at no. 6, looking at $4+ million on 500 screens for a per theater average of $8,260, the biggest of the top ten. The Tamil-language historical epic being billed as India’s Game of Thrones is based on a Tamil history book series that’s read
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