BoxOffice

As the new crop of 2023 festival favorites roll out, Focus Features presents A Thousand And One in over 900 carefully curated theaters, testing the appetite for specialty fare at a challenging moment. Short film and video director A.V. Rockwell’s feature-length debut stars Teyana Taylor as free-spirited Inez, who kidnaps her six-year-old son Terry from
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Paramount and Hasbro eOne with the greatest of intentions have created an extremely fun, broad-audience appealing feature take on the classic roleplaying game, entitled Dungeons & Dragons: Honor Among Thieves, which already is 90% certified fresh on Rotten Tomatoes –not an easy feat with a genre movie of this caliber– and 94% with moviegoers. Paramount
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Broadway’s The Phantom of the Opera had yet another smashing, down-to-the-wire week at the Majestic, grossing more than $3 million for the second consecutive week as the countdown to its April 16 closing continues. Meanwhile, another villainous character – the bloodthirsty killer of the ecstatically reviewed Sweeney Todd, The Demon Barber of Fleet Street –
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Disney’s live-action take on The Little Mermaid has been cleared for theatrical release in China, as has Fast X — the penultimate installment in Universal’s long-running Fast & Furious action franchise. Dates are still to be set for both films in the market which has increasingly been handing out day-and-date releases for Hollywood titles even
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EXCLUSIVE: Following Russia’s full-scale invasion of Ukraine in late February 2022, Hollywood swore off the booming and lucrative box office territory, with the first studios, Disney and Warner Bros, respectively pulling their big movies out of the country, Turning Red and The Batman. However, this past weekend, Lionsgate’s John Wick: Chapter 4 made it through
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Lionsgate Motion Picture Group Chair Joe Drake had much to celebrate this morning. The studio reaped a record global and domestic box office debut for the John Wick franchise, with John Wick: Chapter 4 making $137.5M WW and $73.5M. The fourthquel was the best-received John Wick of all-time with audiences (A CinemaScore) and critics (95%
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The pace of arthouse /smart-house releases accelerated this weekend as wide-for-specialty openings like A Good Person and The Lost King joined a handful of solid single-theater openings from distributors Greenwich Entertainment, Sideshow/Janus Films, Mubi, Abramorama and Cinema Guild – all set for some expansion. MGM released Killer Films and Elevation Pictures’ A Good Person on
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EXCLUSIVE: The John Wick franchise has flourished in its post theatrical market, and strong the Keanu Reeves action series will remain in that sector. Ahead of John Wick: Chapter 4‘s opening tomorrow, Lionsgate has unveiled its largest consumer products program to date for the film. Together with the studio’s global consumer products representative, licensing giant
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The media news cycle is in a frenzy today over a Bloomberg piece that Apple will shell out a $1 billion to produce big screen features annually. That’s great news for exhibition, yes. But, in reality, doing the math, the streamer was already bound to spend in the billions on a feature slate. Apple’s deep
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After snapping up the critically acclaimed Jonathan Majors movie Magazine Dreams out of Sundance, Searchlight has set a Dec. 8 theatrical release for the Elijah Bynum directed title; a date that’s right in line with the classics’ label previous awards season launches. Searchlight beat out Neon, Sony Pictures Classics and HBO for this fierce drama
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Much maligned Richard III finally gets the royal treatment in Stephen Frears’ The Lost King as amateur historian Philippa Langley unearths the monarch’s five century-old remains in a parking lot in Leicester, England in 2012. Two books and a documentary later, IFC Films presents the feature film version in 750+ theaters. “It took eight years
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EXCLUSIVE: The most critically acclaimed John Wick of all-time, Lionsgate’s John Wick: Chapter 4, is seeing the franchise’s best Thursday previews of all-time at around $8M per industry estimates tonight. Previews began at 3PM today for the R-rated pic. Tracking had the Chad Stahelski-directed sequel heading for a $65M-$70M opening weekend, which would rep a
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With overseas rollout having begun Wednesday, Lionsgate/Thunder Road Films/87 Eleven’s John Wick: Chapter 4 is off to a strong start at the international box office. Across just a handful of markets, figures we’re hearing put the early estimated cume at roughly $3.9M through Wednesday and including Australia and New Zealand’s Thursday launches. As Anthony reported,
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Lea Michele will miss upcoming performances of Funny Girl because of an unspecified “scary health issue” affecting her 2-year-old son, Ever Leo Reich. The news was announced by the former Glee star on her Instagram account, and show producers confirmed there as well. “I’m so sorry but unfortunately I will be out of @FunnyGirlBwy today,”
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The death of MGM distribution chief Erik Lomis on Wednesday has shocked many around Hollywood. More than just being a sage to filmmakers and executives about the motion picture business, Lomis was known for his generosity fundraising with the Will Rogers Institute, cultivating others’ careers, and even being a mentor to many in their personal
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Extremely devastating news: MGM and United Artists Releasing distribution boss Erik Lomis died suddenly Wednesday at his home in Santa Monica, we have learned from sources. No details were provided in regards to his death. He was 64. Lomis was a towering figure behind many filmmakers’ hits including those from Quentin Tarantino, Paul Thomas Anderson,
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Kendrick Lamar, Billie Eilish and Red Hot Chili Peppers are among the headliners for Lollapalooza 2023, which is set for August 3-6 in Chicago’s Grant Park. The Chili Peppers first headlined Lollapalooza in 1992, the mega-concert’s second year, when it was a touring event. Tickets for this year’s concert weekend, which also features top-liners Odesza,
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No, there won’t be any finger-pointing at the box office this weekend over a franchise film failing to open. For, Lionsgate/Thunder Road Films/87 Eleven’s John Wick: Chapter 4 looks to not only reinvigorate a tentpole-heavy spring, but also debut to a franchise record of $115M worldwide. Broken out that’s $65M-$70M in the U.S./Canada and another
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Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
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Watching Jesus Revolution surge past $45 million in ticket sales for Lionsgate—matching or besting The Fabelmans, The Banshees Of Inisherin, Tár, Women Talking and Triangle Of Sadness, combined—it finally seems safe to say it. The faith-based audience is back. Between Covid and the culture wars, it’s been a rough few years for those who make,
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The  Royal Shakespeare Company’s stage adaptation of Maggie O’Farrell’s best-selling novel Hamnet, a tale of love and heartbreak concerning Agnes Hathaway and her beloved one William Shakespeare, has taken the unheralded step of announcing its West End transfer before it has has even opened in the famous playwright’s place of birth. The play, adapted by Lolita Chakrabarti
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Shazam! Fury of the Gods star Rachel Zegler took to social media over the weekend to lament what she called “senselessly mean” reactions to the film. The DC sequel had a lackluster opening at the global box office, landing with $65.5M worldwide and currently carries a 52% score from critics on Rotten Tomatoes. Posting on Twitter,
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Refresh for latest…: New Line/DC/Warner Bros’ Shazam! Fury of the Gods has had a less than heroic launch with $65.5M global, including $35M from the international box office. We always knew this sequel was going to come in lower than its predecessor, but the result is also far off where projections were ahead of the
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Roadside Attraction’s Moving On grossed an estimated $798k at about 800 theaters, about status quo this weekend for a specialty sector that’s better but still looking to break out.   The audience for the Jane Fonda and Lily Tomlin-toplined comedy was, not surprisingly, 63% female and 82% over 35. Some 64% were 50+. It played
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When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up
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