Send Help Review: Vintage Horror Comedy From Sam Raimi

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The director of ‘Evil Dead’ and ‘Drag Me to Hell’ returns to his roots.n

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Rarely has an onscreen “Directed By” credit feltless necessary than Sam Raimi’s onSend Help. Obviously Raimi directed this thing; his fingerprints are all over every image; the extreme close-ups and gliding POV shots, the cartoonishly gloppyviolence, the cheerfully sadistic sense of humor. No one else could have directed this movie — at least like this.

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In many ways, Send Helpisthe spiritual sequel toDrag Me to Hellthat Raimi fans (this one included) have been waiting for since 2009.Like its predecessor,Send Helpis a small-scale moral fable about how quickly the dog-eat-dog world of capitalismcan escalate into a full-blown horror. Both movies even share an inciting incident: A fight over a coveted job promotion, which frumpy Linda Little (Rachel McAdams) was promised by her company’s founder.

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Unfortunately for Ms. Liddle (pronouncedlikelittlefor maximum thematic resonance), saidfounder died before he could make good on his vow. And whenthe founder’s casually cruel son Bradley (Dylan O’Brien) takes overthe company, he sees no reason to honor his father’s wishes.Bradley immediately hands Linda’s vice presidentposition to one of his old fraternity brothers. Then he pours salt in the wound byopenly mocking Linda’s disheveled appearance and “noxious” tuna breath.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Unfortunately for Ms. Liddle (pronouncedlikelittlefor maximum thematic resonance), saidfounder died before he could make good on his vow. And whenthe founder’s casually cruel son Bradley (Dylan O’Brien) takes overthe company, he sees no reason to honor his father’s wishes.Bradley immediately hands Linda’s vice presidentposition to one of his old fraternity brothers. Then he pours salt in the wound byopenly mocking Linda’s disheveled appearance and “noxious” tuna breath.”}}}},”currentTextLength”:577,”runningCounter”:3,”cumulativePodTextLength”:1480,”totalSimilarConsecutiveElements”:3,”totalTextLength”:1480},{“type”:”singlePostImage”,”data”:{“id”:537446,”caption”:”20th Century Studios”,”align”:”none”,”title”:”SEND HELP”,”width”:1620,”height”:1080,”description”:”Rachal McAdams as Linda Liddle in 20th Century Studios’ SEND HELP. Photo by Brook Rushton. © 2025 20th Century Studios. All Rights Reserved.”,”url”:”https://townsquare.media/site/442/files/2026/01/attachment-sh-00171_r.jpg”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostText”,”data”:{“text”:”

READ MORE: The 21 Best Movies of the 21st Century

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She may not be “executive material,” as Bradley puts it, butLinda is also a stalwart member of the company’s “Strategy and Planning” department,and thustoo valuable to completely discard. Sohe drags her not to hell but ona business trip in Thailand, wherethe company willfinalize an important merger.Or at least they’re supposed to finalize an important merger in Thailand;Bradley’s private plane encounters awful weather over the Pacific Ocean, and after a harrowing crash sequence, Bradley and Linda wash up on a deserted island as the only survivors.

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Although Bradley tries to keep bossing Linda around, his leggets badly injured in the crash — and even if it hadn’t been,he’s a nepo baby who possesses no practical skills and contributes almost nothing to their efforts to hold out long enough for a rescue. Linda, on the other hand, is not only a clever strategic planner, she’s aSurvivorsuper fan, oneso obsessed with the long-running reality show she’s filled her dumpy apartment with books about survival tips. A lifetime trapped onan empty beach with Linda might be Bradley’s nightmare; for Linda, it’s something close to a dream come true. Nowsheholds all the authority, and she’s quite happy toexploit it just as viciously as Bradley did back in civilization.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Although Bradley tries to keep bossing Linda around, his leggets badly injured in the crash — and even if it hadn’t been,he’s a nepo baby who possesses no practical skills and contributes almost nothing to their efforts to hold out long enough for a rescue. Linda, on the other hand, is not only a clever strategic planner, she’s aSurvivorsuper fan, oneso obsessed with the long-running reality show she’s filled her dumpy apartment with books about survival tips. A lifetime trapped onan empty beach with Linda might be Bradley’s nightmare; for Linda, it’s something close to a dream come true. Nowsheholds all the authority, and she’s quite happy toexploit it just as viciously as Bradley did back in civilization.”}}}},”currentTextLength”:826,”runningCounter”:3,”cumulativePodTextLength”:1531,”totalSimilarConsecutiveElements”:3,”totalTextLength”:1531},{“type”:”singlePostImage”,”data”:{“id”:537447,”caption”:”20th Century Studios”,”align”:”none”,”title”:”SEND HELP”,”width”:1620,”height”:1080,”description”:”Rachal McAdams as Linda Liddle in 20th Century Studios’ SEND HELP. Photo by Brook Rushton. © 2025 20th Century Studios. All Rights Reserved.”,”url”:”https://townsquare.media/site/442/files/2026/01/attachment-sh-01988_r.jpg”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostText”,”data”:{“text”:”

With that, the stage is set for asublime battle of the wills, one that Raimi tears into with theunbridled zealof a manwho just walked intoan Old Country Buffetafter two yearsliving off bugs and mangos ina forsaken jungle hell. Send Helpis Raimi’s first film without anysupernatural or superhuman elements since 1999’sFor Love of the Game, but he does not lethis relatively grounded premise (written by Damian Shannon and Mark Swift) restrict any of hissignature camera tricks and visual tropes. There aregeysers of gore. There are sudden jump scares. There are magnificently dark jokes built around the constantly shifting power dynamics between the two leads as theyattempt to outmaneuver one another for control of their few precious resources.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”With that, the stage is set for asublime battle of the wills, one that Raimi tears into with theunbridled zealof a manwho just walked intoan Old Country Buffetafter two yearsliving off bugs and mangos ina forsaken jungle hell. Send Helpis Raimi’s first film without anysupernatural or superhuman elements since 1999’sFor Love of the Game, but he does not lethis relatively grounded premise (written by Damian Shannon and Mark Swift) restrict any of hissignature camera tricks and visual tropes. There aregeysers of gore. There are sudden jump scares. There are magnificently dark jokes built around the constantly shifting power dynamics between the two leads as theyattempt to outmaneuver one another for control of their few precious resources.”}}}},”currentTextLength”:850,”runningCounter”:1,”cumulativePodTextLength”:850,”totalSimilarConsecutiveElements”:2,”totalTextLength”:1412},{“type”:”singlePostText”,”data”:{“text”:”

It must be noted here that Rachel McAdams is perhaps a little miscast as Linda. The woman who played the glamorousQueen Bee of the Plastics inMean Girls is not theobvious choice for a dowdy office drone. There’s a slight She’s All Thatvibe toMcAdams’ drab cardigan sweaters and frizzy hair in the movie’s early scenes, and it’s not at all surprising when she begins to grow more beautiful amidst the harsh conditions on the isolated island (Apparently waterfalls do amazing things for split ends.)

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”It must be noted here that Rachel McAdams is perhaps a little miscast as Linda. The woman who played the glamorousQueen Bee of the Plastics inMean Girls is not theobvious choice for a dowdy office drone. There’s a slight She’s All Thatvibe toMcAdams’ drab cardigan sweaters and frizzy hair in the movie’s early scenes, and it’s not at all surprising when she begins to grow more beautiful amidst the harsh conditions on the isolated island (Apparently waterfalls do amazing things for split ends.)”}}}},”currentTextLength”:562,”runningCounter”:2,”cumulativePodTextLength”:1412,”totalSimilarConsecutiveElements”:2,”totalTextLength”:1412},{“type”:”singlePostImage”,”data”:{“id”:537448,”caption”:”20th Century Studios”,”align”:”none”,”title”:”SEND HELP”,”width”:1620,”height”:1080,”description”:”(L-R) Dylan O’brien as Bradley Preston and Rachal McAdams as Linda Liddle in 20th Century Studios’ SEND HELP. Photo by Brook Rushton. © 2025 20th Century Studios. All Rights Reserved.”,”url”:”https://townsquare.media/site/442/files/2026/01/attachment-sh-05754_r.jpg”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostText”,”data”:{“text”:”

That said,McAdamsembraces Linda’sschemes and tactics with such gleeful gusto that it’s easy to understand why Raimihired her despite her physical mismatch forthe character. Toplay a proper Raimi protagonist, an actor must possess zero vanity; so much of his movesrevolve aroundtheir ostensible heroes looking silly, failing, screwing up, falling down, making morally dubious decisions, getting covered with all manner of viscous liquids. McAdams seems to relish each and every one of those moments.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”That said,McAdamsembraces Linda’sschemes and tactics with such gleeful gusto that it’s easy to understand why Raimihired her despite her physical mismatch forthe character. Toplay a proper Raimi protagonist, an actor must possess zero vanity; so much of his movesrevolve aroundtheir ostensible heroes looking silly, failing, screwing up, falling down, making morally dubious decisions, getting covered with all manner of viscous liquids. McAdams seems to relish each and every one of those moments.”}}}},”currentTextLength”:560,”runningCounter”:1,”cumulativePodTextLength”:560,”totalSimilarConsecutiveElements”:2,”totalTextLength”:1077},{“type”:”singlePostText”,”data”:{“text”:”

And O’Brien isflat-out great as her adversary, courting the audience’s disdain with an endless array of obnoxious rich-kid smirks and self-satisfied chuckles. Frankly, Bradley sucks, and viewers initially delight inLinda’s opportunity toturn the tables on him. But then Linda begins treating Bradley just as badly as he treated her, and O’Brien manages to pull off the trick of making us hate hischaracterandfeel sorry for him all at once. No easy feat.

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Like Bradley’s jet,Send Helpcomes in for a rough landing. Its twisted exploration of interpersonal ethics recalls an episode ofThe Twilight Zone —andTwilight Zonestend to operate best as short stories. (There’s a reason no one likes the one season of the series where they doubled the episode length from 30 to 60 minutes.) As Bradley and Linda wait for someone to find their little island, their conflict starts to sag a little. At least one plotdevelopmentis pretty obviously telegraphed if you’re paying attention.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Like Bradley’s jet,Send Helpcomes in for a rough landing. Its twisted exploration of interpersonal ethics recalls an episode ofThe Twilight Zone —andTwilight Zonestend to operate best as short stories. (There’s a reason no one likes the one season of the series where they doubled the episode length from 30 to 60 minutes.) As Bradley and Linda wait for someone to find their little island, their conflict starts to sag a little. At least one plotdevelopmentis pretty obviously telegraphed if you’re paying attention.”}}}},”currentTextLength”:593,”runningCounter”:1,”cumulativePodTextLength”:593,”totalSimilarConsecutiveElements”:6,”totalTextLength”:1622},{“type”:”singlePostText”,”data”:{“text”:”

Still, the big finale redeems the middle section’s rocky patcheswith a very satisfying, very Raimi-esque conclusion.In the years sinceDrag Me to Hell,Raimi has directed just two films,Oz the Great and PowerfulandDoctor Strange in the Multiverse of Madness, projects thatdemonstrated hisdeft hand with big-budget spectacle,but providedless room for his quirky personality and his love of gross-out gags that are terrifying and hilarious all at once. For those of us who’ve beenhoping for the old school Raimi to reemerge, help has finally arrived.

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Additional Thoughts:

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-Cheekyprankster that he is, Raimi even tossed in a few Evil Dead and Spider-Man Easter eggs for the sickos.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”-Cheekyprankster that he is, Raimi even tossed in a few Evil Dead and Spider-Man Easter eggs for the sickos.”}}}},”currentTextLength”:114,”runningCounter”:4,”cumulativePodTextLength”:1359,”totalSimilarConsecutiveElements”:6,”totalTextLength”:1622},{“type”:”singlePostText”,”data”:{“text”:”

-Can we just pause for a moment and appreciate the fact that it’s 2026 and Sam Raimi just made an original R-rated horrormovie? Not a remake, not a sequel, not based on a board game or a breakfast cereal mascot. The movies are back, baby!

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RATING: 8/10

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There are a lot of comic-book movies these days. If you could only pick one best one from every single year of the 21st century, what would you choose? Here are our picks.

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Yes, the black leather costumes date the first X-Men terribly. Yes, Hugh Jackman would be a much more jacked man in later sequels; his Logan looks positively shrimpy here. Still, there’s a reason the first X-Men helped spark the superhero movie boom of the 2000s. It just got the characters and brought them to the screen with an editor’s eye; stripping away the excess and boiling them down to the essential elements that would resonate with a mass audience. (Speaking of Jackman, who became an international superstar playing Wolverine, he almost missed his big break. He was the filmmakers’ second choice, and only wound up with the role after the original Logan, Dougray Scott, had to drop out of the project because Mission: Impossible II didn’t finish its shoot in time.)

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rnrn

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