Universal is moving up The Croods: A New Age from its Dec. 23 release date to Wednesday, Nov. 25. This move indicates the studio’s confidence that Disney will move Pixar’s Soul out of the Thanksgiving stretch according to recent reports, that movie still scheduled to debut on Nov. 20 on the same weekend of MGM’s No Time to Die.
Universal
Universal’s Jennifer Lopez romantic comedy Marry Me will be released on Valentine’s Day weekend, Friday, February 12, 2021. The feature takes the place of the untitled Universal romantic comedy on the release schedule. Marry Me squares off against Disney/Marvel’s Eternals and Paramount and Lee Daniels’ Billie Holiday movie on its new date. As we first reported,
Word was leaking that more wide-release date changes were afoot in the wake of Warner Bros’ Wonder Woman 1984 postponing from October 2 to Christmas Day. Here’s one that went down Friday: Universal/MGM/Bron/Monkeypaw’s Candyman is moving from its October 16 date to an unset future date in 2021. All studio partners are assessing a new date,
Universal will be releasing Blumhouse’s Freaky on Nov. 13. The black horror comedy, directed by writer-director Christopher Landon (Happy Death Day, the Paranormal Activity franchise) follows a teenage girl who switches bodies with a relentless serial killer, The Butcher. Kathryn Newton of Blockers and HBO’s Big Little Lies stars as 17-year old Millie alongside Vince Vaughn who plays the
AMC Entertainment saw revenue plunge to $18.9 billion for the second quarter ended from in June from $1.5 billion the year before as it swung to the red, no surprise for the nation’s – and world’s — largest theater chain, that saw most locations shuttered completely for the entire three months. The company swung a
On today’s earnings call for the No. 1 financially challenged exhibitor AMC, CEO Adam Aron took the high road in not damning Disney for their recent seisimic-shifting choice to take Mulan to Disney+ instead of theaters where the streaming service is available. “You might thing I’m disappointed that Mulan is moving, but AMC has no bigger friend
Cinemark CEO Mark Zoradi weighed in this morning on all the noise that Universal and AMC stirred up last week with their plan to crunch the theatrical window to 17 days. “Consistent with our past practices, Cinemark does not comment on the actions of our competitors. That said we believe an exclusive theatrical window is critically
The CEO of the nation’s fourth-largest exhibitor warned studios not to “leave a good party in pursuit of a bad one” but called the debate over PVOD overblown. Greg Marcus, chief of Marcus, said consumers are likely to drift away from watching video-on-demand relesaes when things normalize post-pandemic. “The market for PVOD may not be
AMC Entertainment announced Monday it’s officially concluded a complex, and controversial, restructuring of approximately $2.6 billion of its debt that included an exchange and fresh capital raise. The news came as iyd new distribution deal with Universal Pictures continues to roil the industry. Holders of more than 87% of senior subordinated notes participated in an
The hope for NBCUniversal CEO Jeff Shell in the studio’s new unprecedented 17-day theatrical window collapse-PVOD deal with AMC Theatres is to make more money in the post theatrical windows which have waned in recent years. “Movies are our lifeblood,” said the NBCUniversal pro-PVOD exec, “Over the last couple of years, it’s become more increasingly
EXCLUSIVE: Those in town assuming that one of the other big exhibition circuits will fall in line with AMC, and seek their own 17-day theatrical window-PVOD deal with Universal, will soon realize that it will be a cold day in hell. Cineworld CEO Mooky Greidinger, who oversees the world’s second largest chain, exclusively tells Deadline
After AMC CEO Adam Aron publicly threatened that he would never play Universal movies as along as the studio had a plan for simultaneous theatrical-PVOD releases like Trolls World Tour, the world’s No. 1 exhibitor and the Hollywood studio have broken bread with the following multi-year agreement: Universal and Focus Features releases will play at
Update, July 9: Universal is opening its Bob Odenkirk action thriller Nobody a week earlier on Feb. 19, 2021 instead of Feb. 26, 2021. The pic is now the only wide entry on that date, moving away from a weekend where Paramount put their Michael B. Jordan-Tom Clancy movie Without Remorse. PREVIOUS, April 7: Universal Moves Bob
Watch teaser for Halloween Kills below: Universal is moving a group of Blumhouse titles deeper into the theatrical release calendar including Miramax-Trancas International co-productions Halloween Kills and its sequel Halloween Ends, and The Forever Purge. In addition, MGM-Bron Creative-Monkeypaw’s Candyman is moving three weeks later. David Gordon Green’s Halloween Kills, which is in post, moves from Oct. 16 to Friday,
The Disney catalog joined Universal’s this weekend in playing whatever theaters were open at the box office as the majority of exhibition’s 5,9K theaters remain shuttered nationwide due to COVID-19. Overall, ticket sales continued to be distressed. Disney’s 2016 Oscar-winning hit Zootopia took the top spot with an estimated $280K, putting its liftime total at $341.5M,
M. Night Shyamalan’s next movie now has a release date. Universal said Tuesday that it will release the writer-director’s untitled thriller on July 23, 2021. The pic, details of which are under wraps, stars Eliza Scanlen, Thomasin McKenzie, Aaron Pierre, Alex Wolff and Vicky Krieps. On Monday, Deadline scooped that Abbey Lee, Nikki Amuka-Bird and
Universal/Amblin’s Bios is the first to move off Oct. 2 after Warner Bros. plopped Wonder Woman 1984 on that new date, and will now go on April 16, 2021. Uni already had April 16 on hold with untitled event movie. Already on that date is the Warner Bros. Lisa Joy-directed sci-fi film Reminiscence which stars Hugh Jackman,
Buried in AMC’s Q1 earnings release today on page 3 was the statement, “While we are in active dialogue with Universal, no movies made by Universal Studios are currently on our docket.” The note comes a little bit more than a month after AMC CEO and President Adam Aron alerted the studio in a public
Universal and Blumhouse are taking their Kevin Bacon–Amanda Seyfried psychological thriller You Should Have Left straight into homes on Friday, June 19 for a North America PVOD release. The pic was directed by Jurassic Park and Mission: Impossible scribe David Koepp which he adapted from the German novel by Daniel Kehlmann. Bacon and Seyfried star as a couple seeking
Universal–Blumhouse’s The Forever Purge, which was dated for July 10 prior to Warner Bros.’ The Tenet, is now unset. Solstice Studios’ Russell Crowe road rage movie Unhinged on July 1 remains the first wide release back for those cinemas reopening. We hear there is no determination yet as to whether Forever Purge goes to PVOD, which is where Universal released Trolls World
EXCLUSIVE: When the Danny Boyle-directed fable Yesterday was released last June, it was viewed as a bright spot for counter-programming at a moment when Toy Story 4 owned the box office leading into Spider-Man: Far From Home. The Universal/Working Title film, which grossed over $153.7M worldwide, did well enough to make it onto a list
Days after Jeff Shell’s statements in the Wall Street Journal about the $95M PVOD success of Trolls World Tour and the company’s plans for its film slate in homes and theaters, words which fired up AMC boss Adam Aron to embargo the studio’s films from its chain, the NBCUniversal CEO acknowledged the company’s commitment to theatrical, but
Not to deflate a rousing round robin of mudslinging between AMC, Cineworld and Universal, but this whole OMG melee between exhibition and studios over PVOD, theatrical-window crunching and hurt feelings is poised to calm down soon. Some industry insiders believe the situation has already eased, and the statements made this morning on Comcast’s Q1 earnings
EXCLUSIVE: Following yesterday’s flurry of dramatic exchanges involving AMC, the National Association of Theatre Owners and Universal, Regal Entertainment owner Cineworld Group has now added its voice to the chorus of windows controversy surrounding Trolls World Tour. The world’s second biggest circuit says its policy with respect to the window “is clear, well known in
Refresh for more….Universal has responded to AMC boss Adam Aron’s note tonight to Universal’s Studios Chairman Donna Langley in which he told the studio that he won’t be playing their titles at his global chain. Essentially Uni says they “absolutely believe in the theatrical experience and made no statement to the contrary.” But… “As we
2nd Update, 8:05PM: Following the National Association of Theatre Owners’ earlier statement today deflating NBCUniversal’s $95M PVOD victory with Trolls World Tour in the Wall Street Journal, the exhibition organization has issued another public statement tonight after Uni accused them of being in cahoots with AMC over the chain’s refusal to play Uni films. Earlier
Judd Apatow in an Instagram conversation with SNL’s Pete Davidson announced that they’re summer comedy,originally slated to hit theaters on June 19, will now go on VOD on June 12. The comedy based on Davidson’s life, directed by Apatow and co-written by Davidson, Apatow and former SNL scribe David Sirus was expected to make its
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
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