The international box office was generally muted this weekend, save for in China which ushered in the Year of the Dragon on Saturday, and with it the lucrative Chinese New Year moviegoing period. According to early figures from Maoyan, the first two days of Spring Festival 2024 amassed RMB 2.44B ($339M), just a touch below
International Box Office
Matthew Vaughn’s Argylle, the third Apple Original Films movie to go wide in cinemas, spied an estimated $35.3M global debut through Sunday, including $17.3M from 78 international box office markets. While that makes it the top title worldwide, overseas and domestically this frame, the ultra-expensive ensemble thriller was harshed on by critics and didn’t get
A film about the impact of divine intervention on a failing relationship has become the first Filipino title to surpass $16M at the global box office. Rewind crossed the the 900M Philippine pesos worldwide gross mark this week, a huge return for the local box office. The local record was previously held by Hello, Love,
So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. While we’re not in blockbuster holdover territory, we should celebrate the wins when they come. To wit, there was a new
Vue International, Europe’s largest independent movie theater operator, is in discussions with its shareholders and lenders on a fresh debt-for-equity restructuring. This comes after last year’s dual WGA and SAG-AFTRA strikes caused production delays and pushed a number of titles off of the 2023 and 2024 release calendars. Overall, the industry is facing a severe
Refresh for latest…: Warner Bros/Village Roadshow/Heyday Films’ Wonka continues its sweet run, crossing the $500M mark globally this weekend. The worldwide cume through Sunday is $505.3M including $329.1M from the international box office and with Korea, which has a fondness for Hollywood musicals, still to release at the end of the month. The Timothée Chalamet-starrer
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
Global box office is estimated to have reached $33.9B for 2023, a 30.5% gain on 2022, according to Gower Street Analytics. While this represents continuing worldwide recovery, the figure remains 15% behind the average of the last three pre-pandemic years (2017-2019). Gower Street also recently estimated that, due in part to this year’s strike-impacted release
Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M. The Joaquin Phoenix-starrer produced by Apple Original Films and distributed by Sony Pictures
EXCLUSIVE: Prabhas, one of the biggest stars of Indian cinema, is back in action again this weekend in Salaar: Part 1 – Ceasefire. Already, the film is proving a hit with audiences at home and abroad, grossing an estimated 144 crore ($17.3M) worldwide on opening day. From India’s Hombale Films, action epic Salaar: Part 1
Warner Bros/DC’s Aquaman and the Lost Kingdom began offshore rollout on Wednesday, and with numbers through Friday included has grossed $40.9M in 73 international box office markets. This portends a full overseas opening in the $70M range. With domestic’s three- and four-day, the global start will top $100M. Overseas, the UK debuted on Thursday, with
Gower Street Analytics has come up with an early estimate for 2024 global box office, projecting a roughly 5% downturn versus 2023 to $31.5B (Gower currently is pegging 2023 at $33.4B). This marks the first post-pandemic decrease in the London-based firm’s annual forecast. Should the figure hold, it would put the year -20% against the
EXCLUSIVE: CJ 4DPLEX and Europe’s Kinepolis Group are expanding their longstanding partnership to include 21 further ScreenX auditoriums across Europe and North America. The Kinepolis openings bring the cinema chain’s total of ScreenX screens to 26. This pact will give Kinepolis the largest ScreenX footprint in mainland Europe. The new agreement will include four ScreenX
Refresh for latest…: After opening early in 37 international box office markets last weekend, Warner Bros/Village Roadshow/Heyday Films’ Wonka expanded its release this session to the rest of the world (save Korea which goes in late January). The results are sweet. In a total 77 overseas markets, the Paul King-directed, Timothée Chalamet-starrer added another $53.6M
Refresh for latest…: There were two new Hollywood entries at the international box office this weekend as both Warner Bros/Village Roadshow/Heyday Films’ Wonka and Universal/Illumination’s Migration began early offshore rollout, though on different patterns. It was good news all around with Timothée Chalamet-starrer Wonka launching to $43.2M in 37 markets, well ahead of pre-weekend projections.
Christopher Nolan’s Oppenheimer has been confirmed for a theatrical release in Japan. Although it did not specify an exact date, local distributor Bitters End said today that the biographical epic will be in Japanese cinemas in 2024. The decision was made “following months of thoughtful dialogue associated with the subject matter and acknowledging the particular sensitivity for
Warner Bros/Village Roadshow/Heyday Films’ Wonka begins early release in 37 international box office markets this session, ahead of the domestic bow on December 15. Next week will also see the addition of all other overseas markets, save Korea which is going at the end of January. Current estimates for this frame’s offshore bow — which
Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas. While the movie is rated 100% by both audiences and critics on Rotten Tomatoes, it did come in low versus offshore
With its seventh weekend numbers tallied, Taylor Swift: The Eras Tour has topped the $250M global benchmark. At $250.01M per AMC, the split is a little over $178.2M domestic with $71.8M coming from the international box office. The highest-grossing concert film ever domestically began worldwide rollout in mid-October, opening to $92.8M in North America for
As it continues its rapid global growth, IMAX has set a significant expansion of its partnership with Pathé Cinemas in Europe, pacting for five new IMAX with Laser systems locations, four of which will be in France. The agreement also spans distribution, with IMAX and Pathé Live set to release three upcoming Pathé Live films
Ridley Scott’s Napoleon through Thursday has grossed an estimated $21M worldwide. The Apple Original Films and Sony Pictures action epic is now eyeing a $70M-$73M five-day global opening, including $40M from the international box office. Should those numbers hold, this will be well ahead of pre-weekend projections. The Joaquin Phoenix-starrer stormed into eight overseas markets
Refresh for latest…: Lionsgate’s The Hunger Games: The Ballad of Songbirds & Snakes very (very) narrowly missed the $100M mark globally in its opening weekend, but it’s as near as dammit with an estimated $98.5M through Sunday worldwide. The Francis Lawrence-directed prequel came in slightly higher than pre-frame projections overseas with $54.5M from 87 international
Bollywood superstar Salman Khan has outdone himself, with Tiger 3 scoring his biggest opening day ever, as well as a new record for the top-grossing Diwali Day in the history of Hindi cinema. From Yash Raj Films, the latest in producer Aditya Chopra’s YRF Spy Universe grossed an estimated 94 crore ($11.35M) globally this weekend,
Remember the bright shining light that was Captain Marvel when she showed up to shepherd Tony Stark to safety in the first few minutes of 2019’s Avengers: Endgame? Well, judging by this weekend’s projections for Carol Danvers’ latest outing, that light has dimmed. Disney/Marvel’s The Marvels is headed for an estimated global opening through Sunday
Warner Bros/Heyday Films’ Wonka has been granted a December 8 release in China, a week ahead of the domestic start and as part of an early overseas rollout for the Timothée Chalamet-starrer. Wonka will be going the same day as Universal/Illumination’s Migration in China. These are just two of a raft of Hollywood movies to recently
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
Martin Scorsese’s Killers of the Flower Moon has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga from Apple, Paramount and Imperative Entertainment is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. The
Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever
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