International Box Office

China was the big breakout this past weekend, leading the international box office for the fourth frame in a row and powered by the reissue of Warner Bros’ Harry Potter And The Sorcerer’s Stone in a 4K 3D restoration that conjured $13.6M on 16,000 screens over the three-day frame. With Monday and Tuesday’s Middle Kingdom
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It’s not so much mischief managed as it’s magic managed: Warner Bros’ reissue of Harry Potter And The Sorcerer’s Stone has become the second film in the franchise to cross $1B worldwide. The film, originally released in 2001, counts a global cume of $1,001,260,000 after debuting in a remastered 4K 3D version in China this
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Harry Potter And The Sorcerer’s Stone worked some magic in China on Friday with Warner Bros’ 3D reissue conjuring $4.6M. This is by far the biggesst single-day gross since cinemas resumed operations, overtaking the opening of WB’s earlier re-release of Chirstopher Nolan’s Interstellar by 66% (though that film bowed on a Sunday). Overall, China’s fourth
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Christopher Nolan’s highly anticipated Tenet has been set for a September 4 release date in China. This will come on the heels of Warner Bros launching the event picture’s rollout in a host of offshore markets beginning on August 26 and in the U.S. in select cities on September 3. As international box office has
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China’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid. Play today was led by DreamWorks/Amblin/Universal’s 1917
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SATURDAY UPDATE: Since cinemas reopened in China’s low-risk areas on July 20, the market today had its biggest day yet. Box office was $5.74M (RMB 40M) overall for the day, according to Maoyan figures. That reps a 38% jump from Friday. After leading last weekend and the midweeks, then dropping to No. 2 on Friday,
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China’s second Friday with cinemas back to business in low-risk areas rang up another $4M at local turnstiles, a 39% increase versus the same day last week. About 60% of movie theaters are now operating, with capacity limits and social distancing still in place, so all numbers are to be taken with a grain of
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On their first Friday back to operations, Chinese cinemas did roughly $2.92M worth of box office business — more than tripling Thursday’s figures and making a sizable jump from Monday when theaters opened to about $501K in low-risk areas across the country. There was growth throughout the midweeks which is encouraging since less than 40%
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EXCLUSIVE: Lots of movement on the international box office front this past weekend, and into the beginning of the week. Korean zombie sequel Peninsula, as we reported Sunday, made a meal of five overseas markets with a $21M Wednesday-Sunday frame. That’s the best start we’ve seen since March when Onward opened to $28M in 47
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Yeon Sang-ho’s Peninsula, the follow-up to his 2016 zombie smash, Train To Busan, made a meal of the international box office this weekend, in Korea and four other markets. The thriller sequel (aka Train To Busan Presents: Peninsula) already logged the biggest opening day score of the year in its home market on Wednesday and
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EXCLUSIVE: Wasting no time as cinemas prepare to reopen beginning next week in most of China, a first batch of titles due for release has been identified. Universal’s Dolittle has been granted a July 24 date while we understand that Sony’s Bloodshot, handled locally by Bona Film, will also go out that same day. This
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Peninsula, Yeon Sang-ho’s follow-up to his 2016 zombie smash, Train To Busan, is off to a thrilling start at the international box office where it kicked off in three markets beginning yesterday. In the home hub of Korea, Peninsula (aka Train To Busan Presents: Peninsula) had a Wednesday take of $2.4M on 2,338 screens to
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EXCLUSIVE: As the international box office slowly limps back to life, the tendency for audiences to lean into fresh and local titles continues. France, for example, saw a 23% increase in ticket sales across the Top 10 over the most recent weekend, led by Gaumont’s new local comedy Tout Simplement Noir and followed by Warner
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Jumanji: The Next Level has crossed $800M worldwide through Tuesday, July 7. Currently, the film stands at $319.2M domestically and $480.9M at the international box office. From Columbia Pictures, Seven Bucks and Matt Tolmach Productions, the Sony release began its offshore rollout in 18 markets last December, before adding domestic and wider release the following
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Korean hit #Alive kicked up another $2.2M this weekend, holding well throughout the mid-weeks, but with an overall 63% Friday-Saturday-Sunday dip from the comparable weekend days last session. The timely thriller that’s set against the backdrop of a city in lockdown due to a virus has now grossed $11M. It’s a continued indication that moviegoers
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EXCLUSIVE: While many offshore markets are showing increasing signs of life as cinemas return, there are still several question marks surrounding when the majority of the world gets back to the theatrical business – chief among them for the international box office is China. There has been some chatter that Middle Kingdom movie theaters may
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The international box office this weekend was again led by Korea, with major local release #Alive taking a 70% share of the market. The zombie horror thriller from Spackman Entertainment’s Zip Cinema sold 1.06M tickets in its first five days for a gross of $7.4M through Sunday, again demonstrating the strength of new offerings, particularly
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A pair of China-focused panels at the Cannes Virtual Market this morning provided some insight into what’s happening in the Middle Kingdom as Beijing deals with a recent reemergence of coronavirus cases and movie theaters remain shuttered. The news wasn’t terribly positive. Jerry Ye, Chairman of Huaying Tianxia (Tianjin) Film Development said there is “no
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As Regal Entertainment owner Cineworld prepares to re-open its movie theaters, the group has agreed a $250M secured debt facility with a set of private institutional investors. The new facility reaches maturity in 2023 and follows covenant amendments and a revolving credit facility increase of $110M set at the end of last month. Under that
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The UK’s Cinema First has announced that 450 films will be made available for theatrical screenings once movie theaters re-open for business in the coming weeks. The content has been collated by the Film Distributors’ Association with the aim of aiding programmers and cinema operators to choose the widest possible mix of product that will
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Sony’s Oscar winner, Little Women, originally began offshore rollout back in late December 2019, but continued to show off its grit at the international box office this weekend. The Greta Gerwig-directed update on the classic opened in Japan at No. 1 with $495K. In total, currently playing on 440 screens in 13 offshore markets, the
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EXCLUSIVE: Some international box office markets that are up and running — even if not at full steam — saw increases this weekend while others faced drops given good weather in some spots and an overall lack of new product. However, Disney floated Kristen Stewart-starrer Underwater into Korea for the first time with a No.
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France’s movie theaters will be allowed to re-open from June 22, Prime Minister Edouard Philippe announced this evening. This is earlier than expected, as French Culture Minister Franck Riester said this week that cinemas were eyeing a July 1 re-start. The decision was made in concert with the industry, Philippe said in a televised address,
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EXCLUSIVE: It’s all very quiet on the international box office front, but this past weekend saw some decent increases in various markets. Cinemas are still just sputtering back to operations around the world, notably in parts of Europe and Asia. Germany remains the key major driving admissions — and largely from drive-ins, though Vue International’s
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As France awaits official updates that are expected to come later this week with regard to the re-opening of restaurants and perhaps fewer restrictions on travel, Culture Minister Franck Riester reiterated today that cinemas are eyeing a July 1 re-start. Speaking to France Info, Riester said the government is mulling dates to re-open cultural venues
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