Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections. Anthony has run down the reasons behind the domestic
Disney
EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is posting an estimated $6 million-$7.5 million Thursday night, per sources, which is where previous older-skewing action-guy comps live. We’re specifically referencing the Thursday night starts of No Time to Die, which grossed $6.3M (started at 4 p.m.) before its $55.2M opening weekend in October 2021,
Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
In the wake of world premiering in Cannes to lackluster film reviews at 50% Rotten, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is currently looking at a $60M+ domestic opening. The movie opens on June 30 heading into what is conceivably a five-day play period given that Independence Day falls on a Tuesday. Dial
In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
Refresh for latest…: Disney’s live-action take on The Little Mermaid is doing swimmingly at the domestic box office, with a three-day opening of $95.5M and a four-day projection of $117.5M. Factoring in the international box office bow of $68.3M, that makes for an estimated $163.8M global debut through Sunday. The offshore launch is lower than
EXCLUSIVE, late Thursday PM: Sources are telling us that Disney’s Rob Marshall directed The Little Mermaid is singing some high notes tonight of $10M+ in previews. Should that figure exceed $10.8M it will rep the 6th highest preview performance among PG and G rated titles in motion picture history. Tracking pegged the Halle Bailey movie
Disney’s return to live-action takes of their animated vault in the fullest theatrical form happens this weekend with Rob Marshall’s The Little Mermaid which is eyeing a $180M worldwide start. The majority of that number will be made stateside with $120M for the four-day Memorial Day weekend holiday, and around $100M over three days. At
Disney/Marvel’s Guardians of the Galaxy Vol. 3 has rocketed past the $300M mark globally through Monday. At the same time, it will propel The Walt Disney Company across $2B worldwide for 2023 to date with today’s numbers included. Weekend actuals on the James Gunn-directed threequel came in higher with a full opening frame of $289.3M
The James Gunn Marvel Studios title is spotting $47M-$48M today, including $17.5M previews, for what will hopefully be a $110M start at 4,450 theaters. One analyst tells us that dollar for dollar that Guardians of the Galaxy Vol. 3 is looking a lot like Ant-Man and the Wasp: Quantumania. Both movies did about $37M in
Refresh for latest…: Disney/Marvel’s Guardians of the Galaxy Vol. 3 is rocketing off to a strong start at the international box office. Having debuted on Wednesday in such markets as the UK, France, Germany, Korea, Italy and Japan; and then adding Spain, Australia, Brazil and Mexico among others on Thursday, it has grossed an estimated
EXCLUSIVE: Distribution sources are telling us that Disney Marvel Studios’ final James Gunn movie, Guardians of the Galaxy Vol. 3, is doing around $14M in previews. As we always say, that can go higher or lower by the morning. Thursday previews kicked off at 3PM, and there were 100 Imax shows on Wednesday. Note, these
EXCLUSIVE: Disney’s live-action take of 2x Oscar nominated animated feature, The Little Mermaid, officially landed on tracking today for what looks to be a $110M 4-day opening. That will land the movie among the top eight openings for the holiday, last year Paramount’s Top Gun: Maverick scoring a record start of $160.5M. Of course, Little
Filmmaker James Gunn’s Marvel Studios swan song, Guardians of the Galaxy Vol. 3, is blasting off this weekend, the de facto start of the summer box office, with an eye at $250M worldwide. Of that $110M is coming from domestic, and $140M from overseas. Wrinkling some box office sources brows is how the threequel’s start
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Disney/Marvel Studios’ Guardians of the Galaxy Vol. 3 landed on tracking today before its summer season launch date of Friday, May 5 and it’s looking like a $130M domestic start. That’s lower than the $146.5M stateside opening of Guardians of the Galaxy: Vol. 2, which also kicked off summer in 2017, and distribution sources specify
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studio’s respective streaming platforms became more prevalent. Coming back from that pandemical brink, the motion picture studios have largely returned to their theatrical release models
Disney’s live-action take on The Little Mermaid has been cleared for theatrical release in China, as has Fast X — the penultimate installment in Universal’s long-running Fast & Furious action franchise. Dates are still to be set for both films in the market which has increasingly been handing out day-and-date releases for Hollywood titles even
James Cameron’s Titanic is getting another release in China, this one timed to the 25th anniversary of the original film. An April 3 launch date has been set. The version going out on that day will be a remastered 3D 4K HDR update, as was the version that was released elsewhere in February, and will
In another sign of the return to China for Marvel after a long drought, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has been set for a day-and-date release on May 5. The James Gunn-directed finale in the series is due to hit North American cinemas that same day while international rollout will begin on May
SUNDAY UPDATE: Disney/Marvel’s Ant-Man and The Wasp: Quantumania has landed with an estimated $225.3M global opening through Sunday. The split on the Peyton Reed-directed threequel is $104M domestic (3-day) and $121.3M from the international box office. Internationally, Quantumania is estimated to be 13% ahead of Ant-Man and 27% below Ant-Man and The Wasp on a
MONDAY AM: Ant-Man and the Wasp: Quantumania wound up hitting its $120M tracking projection from four weeks ago. Disney believes this AM that the Peyton Reed Marvel Studios movie will get there. Sunday was higher at $25.7M than the expected $24.2M and Monday is on track for $14.5M for a $120M result. 3-day revised is
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that more adult-skewing fare is having a much harder time now. Nowhere was this more true than with David O. Russell’s Amsterdam, which rivals believed had a shot at opening to $12 million-$15 million this past weekend based on the
Disney yesterday began overseas rollout on the remastered rerelease of James Cameron’s Avatar in five early markets with the Na’vi seeing a collective $877K gross. The 4K high dynamic range version was No. 1 in France at $513K, coming in 8% ahead of the comparable 3D rerelease of Titanic in 2012. In Korea, the 20th
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
UPDATED: Disney has summarized a bulk of release dates that had been made known over the weekend out of D23. The important news to note here is that Rogue Squadron, the Star Wars movie that Patty Jenkins couldn’t commit to, has been removed from its Dec. 22, 2023, release date — not shocking. The film, we hear,
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