BoxOffice

Suddenly, 2020 is a year of imponderables. Will there be a Cannes Film Festival? Given the coronavirus-induced cancellation of SXSW, MipTV, and the AFI Life Achievement Gala, who knows? Is Marvel’s Black Widow the big spring-summer hit, now that No Time To Die is bumped to November? Maybe, if an April/May release still looks wise
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Broadway producers are “cautiously optimistic” as attendance figures for last week show little, if any, immediate impact from the global coronavirus scare. Charlotte St. Martin, president of the Broadway League trade organization representing producers and theater owners, said in a conference call with reporters this afternoon that she was “even a bit surprised” with today’s
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Refresh for latest…: Disney/Pixar’s Onward topped the global and international box office chart this weekend, but came in vastly below projections. A $68M worldwide start includes just $28M from 47 material offshore markets. That’s well under the $40M-$55M range the industry was seeing ahead of the weekend. The spread of the coronavirus, and the fears
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There was a stampede of new titles opening this weekend at the specialty box office, and despite coronavirus-induced fears of being in close proximity in theaters, there weren’t any glaring slumps in the indie and arthouse space. Of the films released this weekend, First Cow made some moo-ves at the box office, earning an estimated
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A24 is ready to milk the weekend with their new film First Cow from director Kelly Reichardt. The film isn’t about a presidential cow, but it is about a special bovine creature. Set in the 19th century, the film follows a lone cook (John Magaro) as he travels west with a group of fur trappers. Out
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Disney/Pixar’s Onward made $2 million on Thursday night in box office previews, according to the Burbank, CA studio, from shows that started at 6 PM. Previous previews around this range include Disney’s Dumbo ($2.6M, $45.9M opening), Monsters University ($2.6M, $82.4M opening), Moana (which previewed on a Tuesday before Thanksgiving with $2.6M, 3-day of $56.6M, 5-day much greater due to Thanksgiving
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EXCLUSIVE: Disney/Pixar’s family film Onward has been banned in multiple Middle East markets due to the film’s minor reference to a lesbian relationship. In the movie, about two teenage elf brothers in a mythical world who embark on a quest for magic, there is a passing reference to an LGBTQ relationship between two secondary characters. 
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Dreamworks Animation’s Trolls World Tour is going where No Time to Die vacated: April 10. Originally the DWA pic, released via Universal, was to go April 17. This is the first major studio move in the wake of MGM/Eon/Universal moving the global day and date release of the 25th 007 pic this morning, which Deadline exclusively broke. It also
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Disney’s Mulan boarded tracking this morning and is seeing a 3-day domestic start around $85M when it hits theaters on March 27. Some believe the live action remake of the 1998 musical animated pic has a shot to get to $100M+ based on tracking diagnostics and comparative titles, but the looming outbreak of the coronavirus
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EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.
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“We are in uncharted territory.” Those are the words from one exhibition source this morning to Deadline in the wake of MGM/Eon/Universal’s shocking shift of No Time to Die from its April 10 Easter global launch date to Thanksgiving, largely due to those Asian markets effected by the coronavirus. Don’t doubt this for a second,
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Despite the swelling panic about the coronavirus, the global business for Disney/Pixar’s elf fantasy feature Onward should turn out to be solid. To date, there aren’t any theaters closed in the U.S. (nor do sources expect any in the near future), certainly not in a grave way like China’s which has seen its nationwide exhibition
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Sony has dated Melanie Laurent’s feature adaptation of Kristin Hannah’s international bestseller The Nightingale for December 25, 2020. With the Christmas debut of Greta Gerwig’s PG-rated Little Women last year, Sony saw a multitude of women flock to that movie, which grossed more than $203 million worldwide and earned six Oscar noms, winning one for Costume Design.
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Paramount/Skydance’s long-awaited sequel Top Gun: Maverick will fly on Wednesday, June 24 instead of Friday, June 26. That’s standard for Paramount to take a big summer event tentpole out on a Wednesday, ala their Transformers movies and even the Tom Cruise Steven Spielberg directed 2005 hit War of the Worlds.  The pre-Independence Day weekend is crowded already with Dreamworks
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5th Update Sunday AM: Moviegoers didn’t have a problem finding Blumhouse’s The Invisible Man on Saturday with the Leigh Whannell movie racking up $11.1M, a 12% surge over Friday’s $9.9M for a weekend that Universal is calling at $29M (some rival estimates have it in the low $28M range). Even more commendable: if you back out those
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Refresh for latest…: Universal/Blumhouse’s The Invisible Man made its first appearance at the international box office this weekend, scaring up $20.2M in 47 markets. Combined with the strong domestic start, the Leigh Whannell-directed pic debuted to $49.2M globally. In like-for-like offshore openings, the Elisabeth Moss-starrer is tracking in line with Lights Out, A Quiet Place
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Impractical Jokers: The Movie isn’t pranking us when it comes to their box office performance. After having a stellar opening last week, the big-screen adaptation of WarnerMedia’s truTV prank show expanded from 357 to nearly 1,800 theaters and earned an estimated $3,545,000, to bring its cume to $6.6 million. The movie has now cracked the top
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Warner Bros has just dated John Lee Hancock’s cop thriller The Little Things for a January 29, 2021 release. The distributor already had the date reserved with an untitled film. The movie, which starts Denzel Washington and Rami Malek, is now going up against Paramount’s animated monster-wrestling movie Rumble on that date. The pic, written by Hancock,
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EXCLUSIVE: Seventeen years after the release of Bad Boys II, Sony’s Bad Boys For Life dominated domestic, overseas and global turnstiles in its mid-January debut. On Saturday, it will cross $400 million globally, with current cumes through Thursday at $193.1M domestic and $204.1M from the international box office. Bad Boys 4 is in the works.
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Universal–Blumhouse’s The Invisible Man made its first appearance last night at 7PM shows nationwide with $1.65M, an an amount of cash that’s near both studios’ previous collaborations, Get Out ($1.8M Thursday) and Split ($2M). Both 2017 titles overperformed their $20M-predicted tracking at the time, with Split posting a $40M start, and Get Out taking $33.3M. Invisible Man, directed and written by Leigh
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